Answer:
Explanation:
Similar: came 2 U.S.; greater opportunity; lived near people from their homeland. Different: different parts of the world; dreamed of cities + factory jobs rather than farms; some came to make money then return home. 17. Where did immigrants from China and Japan tend to settle?
Answer: The union was able to defeat the confederate group and because of this union was able to gain control of the political clout of the confederate. The union was able to lead the army of General Lee.
Explanation:
I really hope this helps if not use the comments please
Answer:
The convention of representation depicted in the Lascaux cave paintings where the heads of the animals are in profile but their horns are facing forward is called the twisted perspective.
Explanation:
The Lascaux cave paintings (c. 17,000 BCE) are remarkable because the animals are depicted with a lot of vitality and detail for the time period. The Timeline of Art History on the MET's website describes cave paintings and engraving appearing on the ceilings or walls of caves as “parietal” art. It is likely the caves were more for ceremonial purposes than for providing a group or community shelter. At Lascaux, the artists used outlines for precision and detailed them with soft colorings that they likely blew onto the depictions using a straw-like tool. The animals at Lascaux are typically painted with a slight twisted perspective. This gives the drawing more visual power and sense of the animal in movement because their horns or antlers are painted from the front, but their heads are in profile. Scholars who have analyzed the paintings have found that this twisted perspective is also used in artwork originating from Mesopotamia and Egypt.
Answer:
Ekachakra is a small village, located 20 km away from the town of Rampurhat in the Birbhum District of West Bengal. Within Hindu tradition, the five Pandavas from the epic, Mahabharata are described as staying in Ekachakra during their years in exile.It is also famous as the birthplace of Nityananda Rama, a principal religious figure in the Gaudiya Vaishnava tradition.