One can be a great force even if one is not fully acknowledged.
Answer:
A) Change the verbs to be consistent "ran, shopped and ate".
Explanation:
Faulty parallel structure is when there are discrepancies or errors in the form or structure of a sentence. This error can be in the form of tenses or their structuring.
In the given sentence <em>"Last weekend, Constanza ran, went shopping and was eating an apple"</em>, the faulty parallel structure is in the tense. This means that the tenses used for the verbs in the sentence are not the same. Taking into consideration the time frame of the event mentioned, it is an event that was done in the past, "last weekend" which therefore confirms it should be in the past tense. Now, the verbs in the sentence "ran, went shopping, was eating" are not consistent.
So, by changing all of them to the past tense form consistent with "ran", we can <u>change "went shopping" to "shopped" and "was eating" into "ate", meaning from past continuous to simple past.</u>
Thus, the correct answer to fix the faulty parallel structure will be option A.
The genres of the Iliad are: Epic Poetry, Tragedy and War Drama
This ain't just any old epic: it's the epic that made epics epic.
The Homeric poems (the Iliad and the Odyssey) are epic, because our concept of epic comes from Homeric poems. If that sounds too circular, then just bear in mind that the Iliad is an extremely long narrative poem, which deals with the heroic actions of mortals, gods, and demi-gods. For the Ancient Greeks, it was also important that an epic be written in the poetic meter of dactylic hexameter—which the Iliad is.
At the same time, however, the Iliad is also a tragedy, because it focuses on the downfall of a great hero (our boy Achilleus) as a result of his own flawed character. In this case, the problem is a three'fer: his super-excessive anger, pride, and grief.
Because most of the Iliad depicts battles in the Trojan War, it also falls into the category of War Drama. As such, it provides many important insights into the nature of war and its place in human life (and human death—hey-o!).
