In the rococo time frame (furthermore, even today) musical dramas started with the suggestion. It was an instrumental prologue to the musical show.
Explanation:
In the end, these were isolated from the musical show in Sentimental period and prompted the creation/birth of the symphony and instrumental music, for example, symphonic sonnets, whom writers, for example, Beethoven and Mendelssohn started to utilize the term to allude to free, self-existing instrumental, automatic works.George Frideric Handel. Handel was a German conceived Italian musical drama author who lived in London. He composed a tremendous number of works, no less than 42 musical dramas included, and a striking number of them are viewed as perfect works of art.
In the baroque period
(and even today) operas began with the overture. It was an instrumental
introduction to the opera. Eventually, these were separated from the opera in
Romantic era and led to the creation/birth of the orchestra <span> and orchestral music such as symphonic poems,
whom composers such as Beethoven and Mendelssohn began to use the term to refer
to independent, self-existing instrumental, programmatic works.</span>
I think the correct answer from the choices listed above is option A. The ancient Greek religion as described in the Homeric epics is characterized by many male and female deities displayed the same emotions and characteristics as did human beings.
