I could be wrong because I’m not sure if I’m correcting spelling or grammar. But I think the answer is 1. John Hancock High School was overran* with students from all over the state.
Answer:
It's actually a poem. "If you see me getting smaller, I'm <em>leaving</em>, don't be <em>grieving</em>, just gotta get away from here. If you see me getting smaller, don't worry, and no hurry, <em>I've got the right to disappear</em>." The narrator has decided to commit su icide.
Well to do the unexpected that always grabs peoples' attention trust me
Answer:
The 'Prohibition Ordinance' is designed to address the problem of properly enforcing ordinances and restoring morality in villages during the late Ming dynasty.
Explanation:
The Ming Dynasty heralded it's flag at the end of the Yuan Dynasty in 1368. The Ming Dynasty was one of the longest dynasty to last in China. This longevity was maintained by enforcing laws and regulations over people.
One of them was 'Prohibition Ordinance'. Prohibition Ordinance was part of Village Ordinances. According to Prohibition Ordinances, the problem in villages were resolved. <u>These problems included denigration of ordinances by greedy and influential people, restoration of morality among the people, etc</u>. So, the Prohibition Ordinances aimed to address these issues.
Answer: The audience for the essay Sojourner is every person that is interested in poetry-like and reflective essays. The purpose is to raise awareness of our roll on this planet, and how we are "the sojourners" in it. Annie Dillard uses metaphors such as comparing mangroves to humans, to convey the message.
Explanation: Annie Dillard speaks to a very general public, her audience is every person that would like to reflect on who we are for the world, and her purpose is to raise awareness on people through metaphors and allegories. She compares, for instance, mangroves to humans, saying that we are "the sojourners" on our planet, being nomads and not belonging anywhere, but she also refers to the planet itself as a sojourner.
