The answer to this question is yes it does
The narrator of this poem claims that the "seraphs" (angels) in heaven are so envious of his and Annabel's love that they send a cool wind to murder her. The speaker mourns her passing, but he copes with it by claiming that his link with Annabel is greater than his fear of death.
<h3>How can fear, confusion, and bravery plays a role in these moments?</h3>
The emotions form the above which a person faces at the point of death depends largely on their most dominant memories.
Thus with love, one is able to brave fear.
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ctually it tracks the movement from 1848 through a series of obstinated state campaigns in Colorado in the 1890s and beyond. Marilley stresses the adaptability of the abolitionist legacy and admires the size of equal-rights ideology after the Civil War to contain a variety of goals for women, including goals to protect women.
<u><em> Suzanne Marilley’s history of the suffrage movement is referring to the full history from 1820 to 1906. The most innovative contribution comes from the author’s research in the Colorado suffrage victory in 1893, which offers an excellent analysis of state politics. </em></u>
In this case study she closely examines the political context and the array of liberal and illiberal arguments used simultaneously to gain the support of various constituencies. She manage to write about the social context of male control over most features of women's lives. She points to a hypersexualized American popular culture that presents women with “self-actualizing sexuality that still hinges on male approval” and persistent labor discrimination and maintains that the feminism that helped change marriage and possibilities for girls can fulfill its “promise” for social change.
<u><em> She credits feminists who build coalitions to effect social change—for example, the twentieth century abortion reform movement culminating in Roe v. Wade victory represents concerted efforts of “physicians, psychiatrists, and family planning professionals along with activists.” </em></u>
Can you take off our masks please.Ps hope this helps
Answer: Caesar will become a tyrant because Caesar is not a tyrant.
Explanation: In Brutus' soliloquy from Act II, Scene I, of "The Tragedy of Julius Caesar" by William Shakespeare, the main rationale that Brutus gives is <u><em>Caesar will become a tyrant because Caesar is not a tyrant</em></u>. The reason Brutus gives to kill Caesar is to PREVENT him from becoming a tyrant. He is not yet a tyrant but after been crowned he can cut all freedoms from the people. Brutus kills Caesar because he wants to fight for the common good. It is like killing a serpent's egg before it becomes dangerous.
