Read the following scene from Trifles. SHERIFF (chuckling). Married to the law. (Moves toward the other room.) I just want you t
o come in here a minute, George. We ought to take a look at these windows. COUNTY ATTORNEY (scoffingly). Oh, windows! SHERIFF. We’ll be right out, Mr. Hale. (Hale goes outside. The Sheriff follows the County Attorney into the other room. Then Mrs. Hale rises, hands tight together, looking intensely at Mrs. Peters, whose eyes take a slow turn, finally meeting Mrs. Hale’s. A moment Mrs. Hale holds her, then her own eyes point the way to where the box is concealed. Suddenly Mrs. Peters throws back quilt pieces and tries to put the box in the bag she is wearing. It is too big. She opens box, starts to take the bird out, cannot touch it, goes to pieces, stands there helpless. Sound of a knob turning in the other room. Mrs. Hale snatches the box and puts it in the pocket of her big coat. Enter County Attorney and Sheriff.) COUNTY ATTORNEY (facetiously). Well, Henry, at least we found out that she was not going to quilt it. She was going to—what is it you call it, ladies! MRS. HALE (her hand against her pocket). We call it—knot it, Mr. Henderson. What changes might a director or screenwriter make to the original version of this scene in order to best emphasize the mood? cut dialogue from the scene to make it a more appropriate length
update the setting to appeal to a more modern-day audience
omit the actions of the characters to avoid confusion and chaos
include the use of lighting, camera angles, and sound effects
include the use of lighting, camera angles, and sound effects
Explanation:
Within the theater there are many acts that can emphasize the atmosphere of a story, in addition to the interpretation of the actors. This is because the mood of the story can be emphasized and even modified with the correct manipulation of lighting, sound effects and even the angle of the cameras (if it is not a play). This is because these devices directly affect the viewer's perception, triggering specific feelings that accompany the manipulation of these factors.
