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is to protect those natural rights that the individual cannot effectively protect in a state of nature
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Explanation:In historiography, the term historical revisionism identifies the re-interpretation of an historical account.[1] It usually involves challenging the orthodox (established, accepted or traditional) views held by professional scholars about a historical event or time-span or phenomenon, introducing contrary evidence, or reinterpreting the motivations and decisions of the people involved. The revision of the historical record can reflect new discoveries of fact, evidence, and interpretation, which then results in revised history. In dramatic cases, revisionism involves a reversal of older moral judgments.
At a basic level, legitimate historical revisionism is a common and not especially controversial process of developing and refining the writing of histories. Much more controversial is the reversal of moral findings, whereby what mainstream historians had considered (for example) positive forces are depicted as negative. Such revisionism, if challenged (especially in heated terms) by the supporters of the previous view, can become an illegitimate form of historical revisionism known as historical negationism if it involves inappropriate methods such as:
the use of forged documents or implausible distrust of genuine documents
attributing false conclusions to books and sources
manipulating statistical data
deliberately mis-translating texts
This type of historical revisionism can present a re-interpretation of the moral meaning of the historical record.[2] Negationists use the term "revisionism" to portray their efforts as legitimate historical revisionism. This is especially the case when "revisionism" relates to Holocaust denial.
Ektara (Hindi: एकतारा, Bengali: একতারা, Nepali: एकतारे, Punjabi: ਇਕ ਤਾਰਾ, Tamil: எக்டரா; literally 'one-string', also called actara, iktar, ektar, yaktaro, gopichand, gopichant, golki Nepali: गोल्, gopijiantra, tun tuna) is a one-stringed musical instrument used in the traditional music of South Asia,[1] and used in modern-day music of Bangladesh, India, and Pakistan.[1] It originated in South Asia.[1]
In origin the ektara was a regular string instrument of wandering bards and minstrels from India and is plucked with one finger. The ektara is a drone lute consisting of a gourd resonator covered with skin, through which a bamboo neck is inserted. It is used in parts of India and Nepal today by Yogis and wandering holy men to accompany their singing and prayers. In Nepal, the instrument accompanies the singing of the Ramayana and Mahabharata.[2]
It has two forms. One form resembles a lute. To make that version, a bamboo stick (90cm long) is inserted through side of wooden bowl (called a "tumbo") and the top of the bowl is covered with deerskin. The instrument has a single string running from a peg at the top, down the length of the stick-neck, across a bridge on the deerhide soundboard, and is tied at the "spike" where the stick pokes through the bowl. The instrument's string is plucked with the musicians index fingernail.[3][2]
The other version uses a drum-like body, and a skin soundboard with a string attached (to bend the sound of the soundboard). Two bamboo lathes are attached to the side of the drumhead and the string goes from the soundboard to where the lathes meet. This version of the instrument may be played either by plucking the string or by tapping the drumhead. Squeezing and releasing the bamboo lathes puts pressure on the drumhead and bends the pitch up and down. This form is associated with the Bauls of West Bengal, as well as the Tharu people of Udayapur District, Nepal.
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"Germany's attempt to build a battleship fleet to match that of the United Kingdom"
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