Depressing and crime would be up higher because you can’t see.
Answer:
Because the Valley of Ashes is a train route connecting the East egg to West Egg in New York
Explanation:
The train always halts for about half a minute at the Valley of Ashes because the Valley of Ashes is a train stop, an important connection point between East and West Egg.
Tom mistress, Myrtle lives with her husband above a gas station in the Valley of Ashes. Hence on their way to New York, Tom insists that Nick gets off the train to get to see his mistress.
The Valley of Ashes is a strategic meeting point because it symbolises the persons involved - both Nick and Tom are nouveau-rich upper class people who usually transit through the Valley of Ashes, a symbol of hopelessness,neglect and poverty, to exploit the poor people there.
Myrtle on the other hand, even though she lives in the Valley of Ashes, dreams of living a life of affluence and power and the meeting with Tom is the only way she can live that dream of affluence even though it is at the expense of her husband and marriage. She, however doesn't seem to care about them both.
Money is at the heart of the conflict.
Explanation:
Eliza (the girl) was insisting to pay for her lessons even though Higgins did not demand it. It was due to the hesitation of Higgins to teach her to speak gently. Eliza deciphered this as Higgins reluctance of not working for free since he must have thought that poor flower girl won’t have enough to pay for his speaking course.
To clear the air regarding the same, Eliza kept insisting for following a professional approach where she would pay for her speaking course.
What are the basic assumptions did navile alexandra made on THE STATE OF THE NEW BUILDING SOUTH AFRICA
Answer:
does this work
Explanation:
Has the director remained faithful to the written story Name some ways that the story you read and the film clip ar the same then name some ways that they are different?
There is often some parallel between the two stories, and the fiction of the inner story is used to reveal the truth in the outer story. ... In others, the inner story is independent, so that it can either be skipped over or be read separately, although many subtle connections may be lost.