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Furkat [3]
3 years ago
11

Look at the painting The Bedroom by Vincent van Gogh. Note the tilted frames on the right-hand wall. What could be the reason fo

r painting the frames that way?
Lack of knowledge
trying to make the frames difficult to identify
using the titled frames as symbols for the rest.
Arts
2 answers:
Simora [160]3 years ago
4 0
<span>He was always reaching out to humanity. After being cast away from his missionary work in the mining camps, he was penniless and felt that his faith had been destroyed. This was one of his darkest times, but it was also when he decided to become an artist full time. He wanted to "Give the wretched a brotherly message". "When I sign [my painting[ 'Vincent,' it is as one of them."  He was</span>
Fed [463]3 years ago
4 0

Answer:

using the titled frames as symbols for the rest.

Explanation:

Room in Arles is a series of three paintings by van Gogh, painted between October 1888 and September 1889. The famous painting depicts the room that Vincent van Gogh rented in the “yellow house” in the town of Arles, France, where he lived and worked for most of its existence.

Looking at the picture we get the feeling that it is floating. The walls are light blue and the doors are dark blue, the furniture, chairs, table and bed, and even the picture frames are yellow, the window is green and the windows have a lighter shade of green just like the chair seats. The whole picture is in tune, only the blanket of the bed has a higher contrast because it is red, contrasting with the predominant color of the walls and doors. The screen is divided into warm and cold tones, the cold of blue and green and the warm of yellow and red.

While seeking the impression of tranquility in his painting, this painting reflects rather the tension and intense loneliness of Van Gogh. The perspective of the floor and furniture is distorted. The disarranged objects in the room are unrelated to each other, the floor appears to fall forward, the window is ajar, the paintings hang toward the bed, the furniture diagonally all seem to reflect the chaos into which Van Gogh had plunged. The artist did not bother to represent a physical space realistically, but rather what he did was the inner and subjective representation of the space.

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