So the viewer knows what the subject is
The Key Light The Fill Light The Back Light O<span>nce you determine the lighting needs of your scene and set up the key, back and fill lights, you are almost ready to shoot. Always look at your scene through a viewfinder and on a color monitor if possible. You can fix weird shadows with fill light or changes in the key light placement. You can also fix reflections off glasses or bald heads by slightly moving the key or fill lights. Remember that light moves in a straight line and bounces at opposite angles. If you see a strange reflection, determine which light source it is coming from by placing your hand in front of the reflection and looking for the shadow, or turning off one light at a time until the glare is gone. The shadow will be exactly in line with the culprit light source.</span>
Answer:
speed light
Explanation:
A speedlight or flash is often the best photography lighting that's on-site because of the portability. With an off-camera wireless flash system, speedlights can do much of the work of studio strobes.
Answer:
Explanation:
lead
head
front
be the driving force behind
