Answer:
White Spaces in poems are simply spaces within a line of poetry, usually inserted as a guide to the reader on how to pace the reading of the poem.
It can also be used to modify the meaning of a poem or to elicit a "pause" and "reflection" from the reader.
White space is to a poet what the "pause for effect" is to the orator.
Explanation:
Don Paterson’s for instance in one of his works played a witty one with "white space".
He gives the poem a very long title (a 15-word caption which is uncommon with poems) then leaves the next page blank. Of course, this effect was very impactful and creative as if he intended to go instantly from a wordy sanguine to an introverted phlegmatic.
Annie Caldwell in an article "The White Space in Poetry" demonstrated the effect of white spaces by taking her old poem and rearranged it using white spaces without changing any of the words. The effect is that the poem took on a different meaning.
Mark Strand, for instance, writes, in “Keeping Things Whole"
The first two lines are quick to strike at the title. Then there is a space before the as if asking the reader to pause and think.
Cheers!
Owen’s choice of words in Exposure powerfully, but simply, describes the extremes to which he and his men were exposed for two days. The poem is dominated by words from the semantic field of the weather, most of which are qualified by terms with negative associations:
•‘iced east winds’ l.1
•‘mad gusts’ l.6
•‘rain soaks’ l.12
•‘clouds sag stormy’ l.12
•‘Dawn massing in the east’ l.13
•‘ranks of grey’ (cloud) l.14
•‘air .. black with snow’ l.17
•‘flowing flakes’ (snow) l.18
•‘the wind’s nonchalance’ l.19
•‘Pale flakes ‘ (snow) l.21
•‘snow-dazed’ l.22
•‘frost’ l.36
•‘ice’ l.39
An impression means that there is an opinion taking place, and is often not what you would call facts.
1. Almost bizarre quality about the general's face.
One is opinionated, Rainsford finding him to be bizarre. It cannot be considered anything other than an impression because finding something to be weird is not something every person can agree on. This is an impression Rainsford had from the actions General Zaroff took.
4. The face of an aristocrat
Similarly, number four is also opinionated. There is no real "face" to an aristocrat, and so the line merely implies that Rainsford felt as if with a face like that, General Zaroff could be an aristocrat. This means that this one is also an impression Rainsford had been able to draw from observing him.
Numbers two, three, five, and six are not the correct answer. These answer choices do not provide an impression, and instead explain what is happening in a scene. Anybody in a room would be able to agree that the Cossack had put away his pistol, and that the general had turned to him and made a sign. Numbers two and three are both describing how General Zaroff looks, and although it seems a bit personally detailed, anybody would be able to look at his face and point out that Zaroff has thick eyebrows, black hair, and dark eyes.
This is why the only applicable choices would be one and four.
Answer:
She thinks her parents do not appreciate her
Explanation:
She takes refuge in the Metropolitan Museum of Art (the Met) in New York City, with her brother Jamie.
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The last failure let the small amount of memories she had go into the community, causing chaos and panic. The community cannot allow the feelings like this to be known in their opinion because they feel as if control and indifference is key to peace and calmness.
