Answer:
he meant they were much faster at picking up material
Explanation:hope this helps
Answer :About the same time they domesticated plants, people in Mesopotamia began to tame animals for meat, milk, and hides. ... Later, people began domesticating larger animals, such as oxen or horses, for plowing and transportation. These are known as beasts of burden. Domesticating animals can be difficult work.
Explanation:
This question is incomplete. Here´s the complete question.
"Amor Imposible" ("Impossible Love") features the distinctive portamento of the wayno. What exactly is meant by portamento? (Vocal part starting at 0:13)
a. hard accents on the notes
b. sliding from one note to another
c. clapping while also singing
d. holding a notes for an extended period
Answer: b. sliding from one note to another
Explanation:
Portamento refers to the technique of continuously gliding from one note to a different one without the intermediate notes. This technique is mostly used in singing and string instruments.
When applied to piano playing, portamento refers to a style between legato and staccato.
Portamento can be also called glissando for different instruments, such as the trombone.
Answer:
Between his first recording session in 1944 and his death in 1991, Miles Davis changed the course of music many times. The first of these came with the short-lived lineups he assembled for a New York residency and three studio sessions between January 1949 and March 1950. The nine-piece lineup was unusual – few jazz bands used a French horn – and the gigs attracted little attention. The sessions produced a handful of singles for Capitol Records, later collected as an album called Birth of the Cool – these ensured the band’s shadow would prove longer than all but a handful of its contemporaries.
The recordings were the result of hanging out after hours at arranger Gil Evans’s basement flat. The punchy, brightly coloured Venus de Milo was one of three tracks the group recorded that was composed by saxophonist Gerry Mulligan. The epithet “cool” isn’t entirely helpful, suggesting a prizing of style over substance: this music is never aloof or detached. Rather, this is what you got when you tuned down the frenzy of Charlie Parker and Dizzy Gillespie and allied it to the kind of sophisticated big-band arrangements Duke Ellington pioneered. Davis was a fan – and a part – of both traditions: not for the first time, what he crafted was a fusion of preceding forms that changed what would follow.
Explanation:
La respuesta correcta para esta pregunta abierta es la siguiente.
A pesar de que no se anexan opciones o incisos para responder, podemos comentar lo siguiente.
Las influencias culturales en las expresiones artísticas nacionales se ven reflejadas por la presencia dominante de alguna expresión cultural externa que ha permeado en la sociedad, y transmite su tradición e historia en la cultura a la que está influyendo.
Por ejemplo, cuando los españoles conquistaron Mesoamérica y Sudamérica, trajeron consigo sus propias creencias y tradiciones que impusieron a los indígenas de América.
Hablamos de dos cosas principalmente. Les impusieron su idioma: el Español. Y les impusieron su religión: el Catolicismo.
Los españoles se dieron la terea de eliminar a los ídolos que veneraban los Indios. Afortunadamente, nunca los eliminaron del todo. Lo que sí lograron fue imponer su idioma. y con ello, una serie de costumbres, tradiciones y cultura que hoy en día es parte de los pueblos Latinoamericanos.
