1answer.
Ask question
Login Signup
Ask question
All categories
  • English
  • Mathematics
  • Social Studies
  • Business
  • History
  • Health
  • Geography
  • Biology
  • Physics
  • Chemistry
  • Computers and Technology
  • Arts
  • World Languages
  • Spanish
  • French
  • German
  • Advanced Placement (AP)
  • SAT
  • Medicine
  • Law
  • Engineering
denpristay [2]
3 years ago
9

How does the music of the Renaissance differ from music today.

Arts
2 answers:
KonstantinChe [14]3 years ago
8 0
Are you serious? Is this a trick question? Nevertheless, I shall give you my best answer!
Renaissance music is more relaxing. The difference between Renaissance music and today's music is most of today's music is more about getting twitterpated and partying and the Renaissance music was chill and about gathering together after they killed a big party of their enemies. They were more productive back then. Does this help?
Rainbow [258]3 years ago
3 0
Well there is a lot more that goes into this answer than the obvious lyrical difference. The styles tend to differ more so due to the separations of Secular and Religious Music that were very apparent. In this time, all Music had just began instilling the first musical instruments like the oboe, shawms, etc. The secular side of Music showed plenty of ballad/love songs like one would find in music composed by Moniot d’Arras, a Frenchman whose songs repeatedly featured lutes, chimes, and lyrics resembling his similar style of poetry. On the other hand, one has composer like Guillaume de Machaut, another French poet who is notably the most important composer from his time. His religious pieces like La Messe de Nostre Damme pertained to the catholic masses/liturgy as choral songs composed to be performed in cathedrals and churches. NO instruments were ever used inside the churches; thus, all Music was acapella and in Latin. This also had first introduced the Motet genre of music, later solely sacred, and the use of conjunctive harmonies between the intervals and chords that could be formed by different vocalists. Nowadays, Music is a spectrum and no longer one or the other, religious or secular. All instruments, vocalistic styles, time signatures, and languages mix-match to form modern-era music.
You might be interested in
Alguien sabe que son factores condicionantes? Y si saben denme ejemplos porfavor
Fudgin [204]

Answer:

Los factores condicionantes son determinados sucesos o cosas, tangibles o intangibles, que pueden afectar directa o indirectamente el resultado de una determinada cuestión, o modificar el curso de un determinado evento. Así, por ejemplo, una crisis económica es un factor condicionante que puede afectar los números de pobreza de un determinado país, en tanto la ocurrencia de una crisis tiene una relación directa con la eventual subida de la cantidad de pobres en el país.

7 0
3 years ago
Where is actual texture most often found?
taurus [48]
Actual texture as opposed to visual texture is the materials used to create a work of art. Actual texture is physical it's hard, cold,smooth, etc. Impasto is an actual texture technique.  
6 0
4 years ago
Read 2 more answers
Describe how this photograph uses the element of art: value
Neko [114]

Answer:

the hands are to big..............

but funny photograph

8 0
3 years ago
Read 2 more answers
Read the story, “UnCommon Cents”. Do you think that Caitlyn will become a numismatist like previous generations of her family? C
baherus [9]

Answer:

“Maybe you can get a dollar. On a good day.” My heart sank. The really valuable coins, he explained, typically ...

<h2>EXPLANATION</h2>

it is too long story wait i will forward friends

I arrived at Martin’s Coins & Jewelry in South Burlington with a Ziploc bag full of old coins and fantasies of an early retirement. After my grandfather died, I inherited the foreign currency he’d accumulated over decades of travel: bills and coins from Israel, Morocco, Portugal and Venezuela, to name but a few. Surely somewhere amid all these lirot, francs, centimos and bolivares was something of real value.

John K. Martin Jr. was my go-to expert. A professional numismatist and coin dealer, Martin has 20 years of experience getting Vermonters top dollar for their rare and precious coins. Lately, about half his business has been buying and selling scrap gold and silver, jewelry, diamonds, and watches. The reason: The recession has cut into the number of coin collectors willing to shell out new green for old silver.

Martin’s shop, sandwiched between the Book Worm’s Exchange and Jiffy Lube on Shelburne Road, is small and unpretentious, with display cases full of Silver Certificates, Indian Heads and other minted oddities. I saw a 1955 “double die” penny, with dual images of Lincoln on its face. A 25-cent gold piece from 1872, valued at $2500, was about the size of my pinky nail. Another double die, an Indian Head from 1873, was listed at $5000. My palms started getting itchy.

Martin, 48, had agreed to review my collection. Naturally, I assumed the oldest coins were worth the most: French francs minted during the Vichy years, a pre-Franco Spanish peseta and a Haitian coin from 1908 all looked promising to my untrained eye.

Martin quickly burst my bubble. It really boils down to supply and demand, he explained. Coins may be very scarce, but if no one collects them, they have little or no value. He looked up one of my coins on the “gray sheet,” the weekly bible for serious collectors. Minted in 1937, it was from Norway and 80 percent silver. After tapping away on his calculator, he announced its market value: $3.30.

The news was even worse on the 1908 Haitian coin. “It starts in the catalog at a buck and a quarter,” Martin declared. “Maybe you can get a dollar. On a good day.” My heart sank.

The really valuable coins, he explained, typically contain gold or silver, like the South African Krugerrands and the Canadian Maple Leafs. They’re actively traded, “like the stock market,” and valuations can fluctuate $50 in one day.

Then there are the collectibles. Minting mishaps, such as the double dies and offset faces, can net you serious bucks, Martin noted, as can “waffled” coins, which somehow made it into circulation after the mint ran them through a press to destroy them. The “grade,” or condition, of the coin makes a difference, as does its “relief,” or detail. Either can swing a coin’s value from $26 to $20,000.

My coins? Only three had any precious metals in them, and none would spark the slightest interest in a collector over the age of 10. Martin suggested I sell them by the pound. Even at that rate, I’d be lucky to get 20 bucks for the lot.

Guess I should plan on working for a while.

SEVEN DAYS: Were you a collector as a kid?

JOHN MARTIN JR.: Not really. I was kind of a wheeler-dealer as a kid. I’d bring a bag of candy to school, pay 10 cents for a stick of gum and sell it for a quarter. I had my own business where I sold night crawlers. And I’d knock on people’s doors to see if they needed something, like their driveway shoveled.

SD: What’s your training as a numismatist?

JM: I went to Colorado for four summers in a row and took seminars on coin grading and counterfeit detection. That’s where I feel I have an edge on the competition. There’s a lot of guys who do this whose education is based on experience of just buying and selling, or books they’ve read.

SD: Is coin trading a regulated industry?

JM: It’s not. Anyone can put a sign outside their house that says, “We buy and sell coins.” It’s definitely a type of business where you need to do a little research before you sit down with someone and put your stuff out there, to find out how long they’ve been doing this, what’s their experience and where their education comes from.

SD: Are most coins bought and sold for the raw metal or for the collector value?

JM: You have bullion-related coins, and you have numismatic coins. Bullion-related coins are your Maple Leafs, your Krugerrands, your gold Eagles, that trade just over the spot price. But when you have numismatic coins, that means they have value substantially over and above their gold value. Some coins can bring 100 times their gold value. So, you got a $20 gold piece and it’s nearly one ounce of gold, it may be a $7000 or $8000 coin.

4 0
3 years ago
Please help im bad at art​
lilavasa [31]

Answer:

I think it's the second one

3 0
3 years ago
Read 2 more answers
Other questions:
  • How are skyscrapers designed to battle wind?
    12·1 answer
  • Many aspects of The Wizard of Oz have remained part of our popular culture, from the songs in the film to Dorothy's iconic red s
    7·2 answers
  • Why does the artist use the hibiscus flower in the image below?
    6·2 answers
  • 1. Sobre cor luz e cor pigmento marque F para falso e V para verdadeiro. * V, V, V e F. V, V, V e V. F, F, F e V. F, F, F e F. 2
    7·1 answer
  • What does Tom do to Myrtle when she repeats Daisy's name in the Great Gatsby?
    9·1 answer
  • Describe soulmate in your own words
    15·1 answer
  • How can the local community practice sustainable purchasing
    10·1 answer
  • P/OV: You see this question, click answer fast, and get a 100 fr/ee points.
    6·2 answers
  • Congratulations on reaching your first project milestone! To help you prepare for success on your final project, you will reflec
    8·1 answer
  • Frank wants to organize content on a magazine cover page. What will help him do so? Frank should use a ? system to organize cont
    6·1 answer
Add answer
Login
Not registered? Fast signup
Signup
Login Signup
Ask question!