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denpristay [2]
3 years ago
9

How does the music of the Renaissance differ from music today.

Arts
2 answers:
KonstantinChe [14]3 years ago
8 0
Are you serious? Is this a trick question? Nevertheless, I shall give you my best answer!
Renaissance music is more relaxing. The difference between Renaissance music and today's music is most of today's music is more about getting twitterpated and partying and the Renaissance music was chill and about gathering together after they killed a big party of their enemies. They were more productive back then. Does this help?
Rainbow [258]3 years ago
3 0
Well there is a lot more that goes into this answer than the obvious lyrical difference. The styles tend to differ more so due to the separations of Secular and Religious Music that were very apparent. In this time, all Music had just began instilling the first musical instruments like the oboe, shawms, etc. The secular side of Music showed plenty of ballad/love songs like one would find in music composed by Moniot d’Arras, a Frenchman whose songs repeatedly featured lutes, chimes, and lyrics resembling his similar style of poetry. On the other hand, one has composer like Guillaume de Machaut, another French poet who is notably the most important composer from his time. His religious pieces like La Messe de Nostre Damme pertained to the catholic masses/liturgy as choral songs composed to be performed in cathedrals and churches. NO instruments were ever used inside the churches; thus, all Music was acapella and in Latin. This also had first introduced the Motet genre of music, later solely sacred, and the use of conjunctive harmonies between the intervals and chords that could be formed by different vocalists. Nowadays, Music is a spectrum and no longer one or the other, religious or secular. All instruments, vocalistic styles, time signatures, and languages mix-match to form modern-era music.
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Born on March 21 [March 31, New Style], 1685, Eisenach, Thuringia, Ernestine Saxon Duchies [Germany]—died July 28, 1750, Leipzig), composer of the Baroque era, the most celebrated member of a large family of north German musicians. Although he was admired by his contemporaries primarily as an outstanding harpsichordist, organist, and expert on organ building, Bach is now generally regarded as one of the greatest composers of all time and is celebrated as the creator of the Brandenburg Concertos, The Well-Tempered Clavier, the Mass in B Minor, and numerous other masterpieces of church and instrumental music. Appearing at a propitious moment in the history of music, Bach was able to survey and bring together the principal styles, forms, and national traditions that had developed during preceding generations and, by virtue of his synthesis, enrich them all.



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Johann Sebastian Bach
QUICK FACTS
Bach
View Media Page
BORN
March 21, 1685
Eisenach, Germany
DIED
July 28, 1750 (aged 65)
Leipzig, Germany
NOTABLE WORKS
“St. Matthew Passion, BWV 244”
“Brandenburg Concertos”
sinfonia
“Three-Part Inventions”
“St. John Passion”
“Mass in B Minor”
“Jesu meine Freude”
“Christmas Oratorio”
“Hunt Cantata”
“God Is My King”
MOVEMENT / STYLE
Baroque music
NOTABLE FAMILY MEMBERS
Son Johann Christoph Friedrich Bach
Son Carl Philipp Emanuel Bach
Son Johann Christian Bach
Son Wilhelm Friedemann Bach
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Bach's parents both died when he was ten years old.
The same doctor performed eye surgery on Bach and George Friedrich Handel, who both became blind after the procedure.
Bach was attacked by one of his students with a club.
He was a member of a remarkable family of musicians who were proud of their achievements, and about 1735 he drafted a genealogy, Ursprung der musicalisch-Bachischen Familie (“Origin of the Musical Bach Family”), in which he traced his ancestry back to his great-great-grandfather Veit Bach, a Lutheran baker (or miller) who late in the 16th century was driven from Hungary to Wechmar in Thuringia, a historic region of Germany, by religious persecution and died in 1619. There were Bachs in the area before then, and it may be that, when Veit moved to Wechmar, he was returning to his birthplace. He used to take his cittern to the mill and play it while the mill was grinding. Johann Sebastian remarked, “A pretty noise they must have made together! However, he learnt to keep time, and this apparently was the beginning of music in our family.”

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Until the birth of Johann Sebastian, his was the least distinguished branch of the family; some of its members, such as Johann Christoph and Johann Ludwig, had been competent practical musicians but not composers. In later days the most important musicians in the family were Johann Sebastian’s sons—Wilhelm Friedemann, Carl Philipp Emanuel, and Johann Christian (the “English Bach”).


Life

Early years

J.S. Bach was the youngest child of Johann Ambrosius Bach and Elisabeth Lämmerhirt. Ambrosius was a string player, employed by the town council and the ducal court of Eisenach. Johann Sebastian started school in 1692 or 1693 and did well in spite of frequent absences. Of his musical education at this time, nothing definite is known; however, he may have picked up the rudiments of string playing from his father, and no doubt he attended the Georgenkirche, where Johann Christoph Bach was organist until 1703.

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By 1695 both his parents were dead, and he was looked after by his eldest brother, also named Johann Christoph (1671–1721), organist at Ohrdruf. This Christoph had been a pupil of the influential keyboard composer Johann Pachelbel, and he apparently gave Johann Sebastian his first formal keyboard lessons. The young Bach again did well at school, and in 1700 his voice secured him a place in a select choir of poor boys at the school at Michaelskirche, Lüneburg.


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