The following lines from "Not Waving but Drowning" contain assonance: "Oh, no no no, it was always too cold."
<h3>What is the theme of the poem "Not Waving but Drowning"?</h3>
- At first glance, this poem appears to be about the death of a man who drowns after onlookers misinterpret his signals for help with waving. In reality, it is about human experiences and emotions and describes depression and isolation.
- Smith wants the reader to understand that this man is drowning in emotion, and the poem as a whole is a metaphor for the isolation caused by apathy and being an outsider.
- 'Not Waving But Drowning' by Stevie Smith is a three-stanza poem with a rhyme scheme that deviates slightly as the poem progresses. The lines rhyme abcb in the first stanza, defe in the second, and gbhb in the third.
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You should chose “One meaning is the opposite of unpleasant” because the rest is like yeah obvious, but this isn’t really shown and you’d know that if you know the word unpleasant.
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Answer: The law of comparative advantage describes how, under free trade, an agent will produce more of and consume less of a good for which they have a comparative advantage. In an economic model, agents have a comparative advantage over others in producing a particular good if they can produce that good at a lower relative opportunity cost or autarky price, i.e. at a lower relative marginal cost prior to trade. Comparative advantage describes the economic reality of the work gains from trade for individuals, firms, or nations, which arise from differences in their factor endowments or technological progress. (One should not compare the monetary costs of production or even the resource costs (labor needed per unit of output) of production. Instead, one must compare the opportunity costs of producing goods across countries).
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read it carful lt by choice ty
Answer:
Susan Glaspell
Explanation:
Trifles is a one-act play by Susan Glaspell. She wrote a short story "A Jury of Her Peers". She adapted the story from the play a year after its debut. It was first shown to the public by the Provincetown Players at the Wharf Theatre in Provincetown, Massachusetts on August 8, 1916.
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