Antigone and Ismene, the daughters of Oedipus, discuss the disaster that has just befallen them. Their brothers Polynices and Eteocles have killed one another in a battle for control over Thebes. Creon now rules the city, and he has ordered that Polynices, who brought a foreign army against Thebes, not be allowed proper burial rites. Creon threatens to kill anyone who tries to bury Polynices and stations sentries over his body. Antigone, in spite of Creon’s edict and without the help of her sister Ismene, resolves to give their brother a proper burial. Soon, a nervous sentry arrives at the palace to tell Creon that, while the sentries slept, someone gave Polynices burial rites. Creon says that he thinks some of the dissidents of the city bribed the sentry to perform the rites, and he vows to execute the sentry if no other suspect is found.
The sentry soon exonerates himself by catching Antigone in the act of attempting to rebury her brother, the sentries having disinterred him. Antigone freely confesses her act to Creon and says that he himself defies the will of the gods by refusing Polynices burial. Creon condemns both Antigone and Ismene to death. Haemon, Creon’s son and Antigone’s betrothed, enters the stage. Creon asks him his opinion on the issue. Haemon seems at first to side with his father, but gradually admits his opposition to Creon’s stubbornness and petty vindictiveness. Creon curses him and threatens to slay Antigone before his very eyes. Haemon storms out. Creon decides to pardon Ismene, but vows to kill Antigone by walling her up alive in a tomb.
The blind prophet Tiresias arrives, and Creon promises to take whatever advice he gives. Tiresias advises that Creon allow Polynices to be buried, but Creon refuses. Tiresias predicts that the gods will bring down curses upon the city. The words of Tiresias strike fear into the hearts of Creon and the people of Thebes, and Creon reluctantly goes to free Antigone from the tomb where she has been imprisoned. But his change of heart comes too late. A messenger enters and recounts the tragic events: Creon and his entourage first gave proper burial to Polynices, then heard what sounded like Haemon’s voice wailing from Antigone’s tomb. They went in and saw Antigone hanging from a noose, and Haemon raving. Creon’s son then took a sword and thrust it at his father. Missing, he turned the sword against himself and died embracing Antigone’s body. Creon’s wife, Eurydice, hears this terrible news and rushes away into the palace. Creon enters, carrying Haemon’s body and wailing against his own tyranny, which he knows has caused his son’s death. The messenger tells Creon that he has another reason to grieve: Eurydice has stabbed herself, and, as she died, she called down curses on her husband for the misery his pride had caused. Creon kneels and prays that he, too, might die. His guards lead him back into the palace.
Answer:
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Explanation:
Narrative leads are the openings of stories, the "hooks" that capture readers and keep them turning the pages. There is no set formula for creating a lead, since narratives span the spectrum of human existence.
A summary lead concisely tells the reader the main idea of the story or conveys its news value. Most journalists and editors believe that the lead should come in the first sentence or first few sentences of a hard news article. Reporters use the term “burying the lead” or “delayed lead” to describe one placed later in an article.
Staccato lead. The staccato lead makes the most of short, pointed little facts spiking the first paragraph, to attract attention. But unless you get right to the point, it will irritate editors. So use this one sparingly (in fact, use all delayed leads sparingly -- but especially this one)... it attracts attention but it can be annoying.
A contrast lead is used at the beginning of that news story which has two contrasting ideas within it.
D. It is the Authors attempt to use autobiographical incident to share valuable wisdom.
Answer:
Sounds like compound-complex. NOT SURE.
The correct answer ic C. Both Antigone and Boadicea are heroines who choose their values over their lives, knowing they may die in the process.
Antigone decides to bury his brother despite the prohibition of the king of Tebas to do so because she believes that God's laws are greater than human laws.
Boadicea led war against occupying forces of the Roman Empire of her land. When she saw the inevitable loss, she poisoned herself and her daughters to avoid capture.
