Answer:
A hand held up at chest height, then slowly lowered to waist height
Explanation:
For answering this question, it is best to try to do the described gestures by yourself in order to visualize them and compare with the given situation. The situation is that choir and orchestra are finishing the song and the volume is decreasing (going down) to the lowest tones. So when we compare all the given gestures with this, we notice that only the third one includes lowering of the hand which represents the lowering of the volume. Gestures often follow the very essence of the action. Some of them are a product of social agreements like clapping at the end of the performance ( Two hands brought together with a clap in front of the chest).
After the planning committee reviews the proposal, we will make the final decision.
comma after proposal
I chose the 1971 film adaptation by Roman Polanski. I found that the text and film versions are extremely similar.The only distinction lies in the essence of the media that covers it.In the film, the portrayal of the scene is graphical and vibrant.In reality, you see Banquo falling to the floor, dead.In reality, you see Banquo falling to the floor, dead.
In terms of impact on the viewer, Roman Polanski's rendition of this scene is not only accurate but also strong.The specifics are all consistent with the text version: the characters and the environment are the same.The film version captures the character of Banquo to perfection: a courageous and better man than Macbeth, who at the moment thinks only of his son.To ensure Fleance gets to safety, he sacrifices himself.
We are presented with a libertine speaker talking of many lovers. He suggests that, though he has spoken about the pain of love, it is only ‘Love’s pleasures’ that he cares about. As such, he has ‘betrayed’ ‘a thousand beauties’. He claims to have been a callous and deceiving lover, telling ‘the fair’ about the ‘wounds and smart’ they long to hear of, then ‘laughing’ and leaving. The poem is written in three elegant septets. Notice the iambic tetrameter and consider how important form might be to the theme of this particular kind of love and betrayal.
This speaker may not be entirely honest. The final stanza begins with ‘Alone’. Is there any sense of regret here? The speaker claims to be ‘Without the hell’ of love, yet in the same line we find reference to the ‘heaven of joy’. He may even also sacrificed his joy with his promiscuous love.
