Answer:
Explanation: because it is part of a personal development process of gaining the skills and abilities needed to become an independent adult
Answer:
False
Explanation:
Oceanic crust is thinner and denser than continental crust. Oceanic crust is more mafic, continental crust is more felsic. Crust is very thin relative to Earth's radius.
Answer:
Since a narrative essay tells a story about the writer’s life, it is most effective to tell the story from the writer’s point of view.
Explanation:
Because him writing it this way shows how nervous he his and his inner thoughts
Answer:
1. Choice C
2. Choice B
Explanation:
Question 1: "Dramatic irony" is when the audience or readers know something that some characters in the narrative <em>don't know</em>. In the option C, "<u>Bottom doesn't realize</u>" helps me figure out that he doesn't know something.
Therefore, the answer is (Choice C) Bottom doesn’t realize that Puck has given him an donkey's head.
Question 2: In this story, the fact that Bottom doesn't know that Puck has given him a donkey's head makes us feel sympathy for Bottom.
Therefore, the answer is (Choice B) B It helps increase the reader’s sympathy for the other actors.
Hope this helps! :D
Answer to Question 1: Hamlet becomes increasingly furious with both himself and whoever harmed those who he cared about. A visceral sentiment of vengeance consumes him as he realizes his mind won't be at peace if he simply stands around fearfully inside his aristocratic eggshell, and the sentiment won't snuff out until the ones responsible for his anger are punished.
Answer to Question 2: Hamlet believes he will become a beast if he gives himself into an avenging wrath, but it does not matter to him as long as his grieving thoughts are cleansed. Ignoring the incident would simply preserve his plight.
Answer to Question 3: The audience should feel compasion for the man in duel, and be afraid that a good man who's well aware of his own thoughts and conclusions - a man that has lost nearly everything - gave into the rage.
Director's notes on Proper Soliloquies.
An actor who aims to perform a soliloquy must look around their environment, focus on a significant element of the scene, and procced to describe with detail how the sight makes them feel - repeat the process with the rest of the scene -. The actor should change the tone of their voice between the lines depending on the current feeling of their character; shouting it all should not be neccesary and might be considered exaggerated.