Answer:
yessssss... what's ur question??
Answer:
A cold front commonly brings a narrow band of precipitation that follows along the leading edge of the cold front. pls follow me and make my answer as brainlist answer
Sun is the word from the passage which symbolizes hope.
Answer: Option B
<u>Explanation:</u>
Wreckage, Inlet, and skeletons are definitely not the words that symbolizes hope. When the author says, ‘Finally, some of the storm clouds parted just as they were losing hope, and the sun shined down on the island’, he means that amidst the destroyed ships and stinky skeletons, when they were about to lose hope, there came a time when the clouds were clear and they could see a ray of hope.
That ray was the light of the sun, when everything seems like an end, that’s the time when the sun gave them aspiration. The rising sun symbolizes the new beginning and new hope, the setting sun also gives us a desire for a new day that will begin. So no matter whether the sun rises or sets, it will always be the symbol of hope.
Answer:
The writer addresses his argument to the general audience from his language arts class
Explanation:
This essay named "Keep on reading" by a 10th-grade student presents his point and view about the silent reading minutes they have in class every day and if they should continue being part of their activities, his writing is well projected to relate to any person who reads it from a child to an adult and to make them aware of the importance of this activity.
In the figures of the civil watch and the Prince, the brawl introduces the audience to a different aspect of the social world of Verona that exists beyond the Montagues and Capulets. This social world stands in constant contrast to the passions inherent in the Capulets and Montagues. The give-and-take between the demands of the social world and individuals’ private passions is another powerful theme in the play. For example, look at how the servants try to attain their desire while remaining on the right side of the law. Note how careful Samson is to ask, “Is the law on our side, if I say ‘Ay,’” before insulting the Montagues (1.1.42). After the Prince institutes the death penalty for any who disturb the peace again, the stakes for letting private passions overwhelm public sobriety are raised to a new level.
Finally, this first scene also introduces us to Romeo the lover. But that introduction comes with a bit of a shock. In a play called Romeo and Juliet we would expect the forlorn Romeo to be lovesick over Juliet. But instead he is in love with Rosaline. Who is Rosaline? The question lingers through the play. She never appears onstage, but many of Romeo’s friends, unaware that he has fallen in love with and married Juliet, believe he is in love with Rosaline for the entirety of the play. And Friar Lawrence, for one, expresses shock that Romeo’s affections could shift so quickly from Rosaline to Juliet. In this way, Rosaline haunts Romeo and Juliet. One can argue that Rosaline exists in the play only to demonstrate Romeo’s passionate nature, his love of love. For example, in the clichés he spouts about his love for Rosaline: “Feather of lead, bright smoke, cold fire, sick health” (1.1.173). It seems that Romeo’s love for chaste Rosaline stems almost entirely from the reading of bad love poetry. Romeo’s love for Rosaline, then, seems an immature love, more a statement that he is ready to be in love than actual love. An alternative argument holds that Romeo’s love for Rosaline shows him to be desirous of love with anyone who is beautiful and willing to share his feelings, thereby sullying our understanding of Romeo’s love with Juliet. Over the course of the play, the purity and power of Romeo’s love for Juliet seems to outweigh any concerns about the origin of that love, and therefore any concerns about Rosaline, but the question of Rosaline’s role in the play does offer an important point for consideration.
