Answer: B and C
Explanation:
The Neolithic Period was a time of change from the Paleolithic Period and examples of such are: People moved from nomadic life to starting villages and people started building permanent shelters made out of hides and branches for example.
Answer:
Egyptian Gods
Ancient Egyptian Gods and Goddesses
Ancient Egyptian Gods and Goddesses
For all ancient people, the world was filled with mystery. Much of what they experienced in the world around them was unknowable and frightening. The ancient Egyptian gods and goddesses represented aspects of the Egyptians’ natural and “supernatural” surroundings and helped them understand its many aspects.
Ammut
Ammut
Demons
Demons were more powerful than human beings but not as powerful as gods. They were usually immortal, could be in more than one place at a time, and could affect the world as well as people in supernatural ways. But there were certain limits to their powers and they were neither all-powerful nor all knowing. Among demons the most important figure was Ammut – the Devourer of the Dead – part crocodile, part lioness, and part hippopotamus. She was often shown near the scales on which the hearts of the dead were weighed against the feather of Truth. She devoured the hearts of those whose wicked deeds in life made them unfit to enter the afterlife. Apepi, another important demon, (sometimes called Apophis) was the enemy of the sun god in his daily cycle through the cosmos, and is depicted as a colossal snake.
KhepreKhepre
Also known as, Khepri, Khepra, Khepera, Khepre was a creator god depicted as a Scarab beetle or as a man with a scarab for a head. The Egyptians observed young scarab beetles emerging spontaneously from balls of dung and associated them with the process of creation. Khepre was one of the first gods, self-created, and his name means “he who has come into being,” Atum took his form as he rose out of the chaotic waters of the Nun in a creation myth. It was thought that Khepre rolled the sun across the sky in the same way a dung beetle rolls balls of dung across the ground.
Explaination:
Egyptian gods are often described as jealous, petty, angry, bitter, and violent. How could this principle influence Egyptian life?
Answer:
It helps you go poop if u drink it.
Explanation:
My mom tried I watched her
Answer:
c. by diminishing the size of the trees in the background
Explanation:
The Tribute Money (1427) by Tommaso de Giovanni "Masaccio" (1401 -1428), is a fresco of the Brancacci Chapel in the Del Camine Church in Florence. The Renaissance work represents the episode in which Christ pays the Capernaum collector the due tribute to enter the city. Since the apostles had no money, Jesus commanded Peter to throw the hook into the water and to take the first fish caught in the mouth, the coin needed for payment. The episode develops in three distinct scenes: in the center, the collector talking to Jesus with his disciples: on the left, St. Peter fulfilling the order and on the right, giving the tribute to the collector. The artist's religious intentions are joined by the free and determined spirit of the new man advocated by the Renaissance.
Masaccio, also known as the “father of the Renaissance” had a career of just seven years, but still built the foundation for what would become one of the greatest artistic movements. His technique and development from a spatial perspective would become a standard and set parameters for the succeeding Renaissance painters. By breaking with Gothic traditions, returning to classicism and employing new techniques in perspective, Masaccio created a style that shaped the development of the Florentine Renaissance.
To achieve linear perspective, adding depth and three-dimensionality to the painting, one must draw a horizon line to connect the viewer's eye to a point escape line - such as where the sky meets the ground. Horizontal lines called orthogonal lines are then drawn over screen space or at work. The point where the orthogonal lines meet is called the vanishing point. One can compare this with train tracks in the distance. The use of the vanishing point not only allows the artist to produce three-dimensional objects, but also to control the viewer's eye and reinforce the theme, as can be seen in the The Tribute Money in the head of Jesus.
