For Copernicus, I think it was On the Revolution of the Celestial Spheres. I think For Newton it was Philosophiæ Naturalis Principia Mathematica.
Answer:
First, all three movements gained popularity with the middle classes. Second, All three movements were a product of the urban, rural divide in America. Third, all three movements had racial elements. The Temperance Movement grew out of the Second Great Awakening religious revival, as did Abolition. Temperance in the early 1800s transitioned from reduction of use of hard spirits to total abstinence. This reform movement was resisted by recent urban immigrant groups from Ireland and Germany because it ran counter to their cultural experience much as prohibition in the 20th century ran counter to the cultural experience of Southern and Eastern European immigrants. It was thought that drink was the cause of all evils in urban life. As in the other movements there was a racist component not far underneath the avowed purpose. The Health Reform Movement also focused on middle class fears of diseases like cholera and yellow fever emanating from garbage and filth in slums inhabited by recent immigrants. The movement had some basis in science as it advocated cleaning slum areas and providing clean water to slums as a city government service. Again the racist assumption was that immigrants woul not clean their own residential areas without public action. At the time the middle class paid private companies to carry away trash and cart in clean water for their use. The fear of cholera prompted health reform. Phrenology was a pseudo science claiming that. The shape of the head determined characteristics of the individual. It was later used by racists to support bogus theories of racial inferiority. So these movements aided Antebellum Americans in defining cultural norms and maintaining the status quo regarding racial hierarchies.
Explanation:
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Some famous female roles in the history of opera have only been possible because 19th-century composers started giving important roles to mezzo-sopranos.
By the Baroque period (1600-1750), opera had taken Europe by storm, a spectacular and expensive affair filled with ornate arias and elaborate sets with moving parts. One of the greatest composers of Italian baroque opera was George Friedrich Handel (1685-1759), a German who spent most of his life in London.
This period also saw the emergence of castrati, male singers who were castrated as boys to maintain their soprano voices. Those who survived to come out on top were the singing stars of the 17th and 18th centuries. Today these roles are sung by countertenors or women.
learn more about mezzo-soprano here: brainly.com/question/2948100
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