<span>Dear J.K. Rowling
I really appreciated your book "Harry Potter and the Half-Blood Prince". The serious tone Harry uses when speaking truly underlines dire times felt within the wizarding world. I could never find the right words to use when setting my plot, but I was truly inspired by your use of diction to control the tempo of a long narrative. This tempo control ran throughout the text, emotionally tying specific plot devices to the perspective of a character and framing their state of being.
In conclusion, I hope my writing can glimpse a shadow of your craft. When I write in first person, as you did with Harry, I often now compare my use of language to your descriptive tendencies and search for improvements. Not writing extremely long sentences, or using out of character phrasing, but instead giving just enough detail to paint a vivid picture. If this gets to you, I hope you can write me back, I've attatched a pdf of a recent poem and hope you can give me some notes.
Thank you,
Sincerly...</span>
Clegg’s twisting of the truth (for example, “What I’m trying to say is that having her as my guest happened suddenly, it wasn’t something I planned the moment the money came”), as soon as he wins the money, he moves to London and sets out to transform his “observations” into the entrapment of Miranda, the “rarity” he has decided to collect and keep as his own.
He said Only the Strong deserve to live. He also said that it's not considered murder to kill people since they are of the lowest level.
What is the poem in question?
