Bxcbhdb. Bcdhb. Bxsujzb xhjxn. Heinz. Jhdbcbxdhbc. Dbhdbx sjsnx cbejrdbxbjsjs xx. Chdhxx jx. Xbox d deans. Xbjdbd xxb xbxbd x xdbehdbbxjdjwnxbdbhe dhuebxxhiedjnxsjeinxnx x dhd xxhjdxb. Djxnx xndjje
ha, you think it's funny huh?
It would be A because it is in chronological order a.k.a order that works with the timeline.
d.
a compound sentence is when the sentence can be split up to make two complete sentences.
i.e. Paolo missed his girlfriend. He knew she'd be back.
d. can be split up into two fully functional sentences.
Answer:
Death and the King's Horseman isn't just about a clash of cultures—it's also about a clash of religions. Yoruba spirituality and Elesin's attempts to confront mortality and the afterlife are very much at the heart of the story, and Soyinka himself sees the spiritual dilemmas that the play presents as the key thing going on. The play definitely prompts us to think about different religions and customs and how they intersect and clash, dropping references to Islam and Christianity as well as lots of discussion of Yorubam religious practices.
Explanation:
By showing the richness of Yoruba traditions while simultaneously failing to show the British characters actively engaged in any kind of religion, Soyinka suggests the emptiness of British customs and religion.
