In this scene, Nick is reunited with his cousin, Daisy, and her husband and is introduced to Jordan. The colors associated with the fashionable East Egg are white and gold, suggesting wealth and beauty; however, all is not well in paradice. Dinner is interupted when the telephone rings, and Tom is called from the room to answer it. When Daisy follows him out, Jordan Baker confides to Nick that the call is from Tom's 'woman' in New York.
Answer:
It's A
Explanation:
A quote was used from the story, that backs up the point the person is trying to make. B and D are short and are not very helpful. C does not make sense because the points the person is bringing out would lead to believe Romeo would be labeled by who he is and not his name, so that does not make sense ethier.
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Answer: The loaves of potato bread's smell started to revolve around my nose as my sister and I looked at the schedule synchronized.
Explanation: ur welcome:)
Answer:
Walton’s letters to his sister form a frame around the main narrative, Victor Frankenstein’s tragic story. Walton captains a North Pole–bound ship that gets trapped between sheets of ice. While waiting for the ice to thaw, he and his crew pick up Victor, weak and emaciated from his long chase after the monster. Victor recovers somewhat, tells Walton the story of his life, and then dies. Walton laments the death of a man with whom he felt a strong, meaningful friendship beginning to form.
Walton functions as the conduit through which the reader hears the story of Victor and his monster. However, he also plays a role that parallels Victor’s in many ways. Like Victor, Walton is an explorer, chasing after that “country of eternal light”—unpossessed knowledge. Victor’s influence on him is paradoxical: one moment he exhorts Walton’s almost-mutinous men to stay the path courageously, regardless of danger; the next, he serves as an abject example of the dangers of heedless scientific ambition. In his ultimate decision to terminate his treacherous pursuit, Walton serves as a foil (someone whose traits or actions contrast with, and thereby highlight, those of another character) to Victor, either not obsessive enough to risk almost-certain death or not courageous enough to allow his passion to drive him.
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