The answer is:
In an informal workplace, there are low wages,few benefits, and little hours. But in a formal workplace there are set pay and benefits, stable location, and regular hours.
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The staff would hopefully say "Sorry the doctors not in right now thank you buh bye" and then id maybe go comando and leave to live in a tent or if i answered id maybe say "i had no idea he/she never gave me any signs of this behavior before i dont know what to say but this is a case of bipoler issuse or drug abuse and maybe a bit of depression he/she was nit willing ti share with me." something like that :P
Classic jazz is watched by Charlotte in the old footage from New Orleans in the early 1900s. In that A marching band is playing music while marching through the streets.
<h3>What type of jazz is played in New Orleans?</h3>
Dixieland, is the music played in the 1900, it was the initial of the jazz music in New Orleans. Firstly they are playing the traditional jazz that become the most popular band in the year 1940.
A jazz subgenre, Dixieland jazz in the United States, which was develop in the early twenties and it consist of ragtime, blues, gospel.
Thus, option B is correct.
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Answer: It’s a provocative question that quickly necessitates defining the boundaries of what does and does not constitute art. This mirrors the complexity of engaging in the ongoing definition of art. Art is studied because it's among the highest expressions of culture, embodying its ideals and aspirations, challenging its assumptions and beliefs, and creating new visions and possibilities for it to pursue. When we discuss contemporary art, we are typically referring to the practice of fine art, but prior to the Renaissance art was defined within the realm of functional crafts, such as goldsmithing. The idea of autonomous art, or art for art’s sake, developed later, over many eras. Studying art leads to a greater understanding of our own cultural values and of the culture that produced it. When colonizing forces of Europeans encountered African wood sculptural nkisi figures, primarily in what is now the Democratic Republic of the Congo, they considered them to be evidence of idolatry and witchcraft or opposition to the colonizing forces. The figures were often pierced with nails as a symbolic gesture to initiate a desired goal, like protection from an enemy. The invading Europeans often destroyed the nkisi figures, which were sacred objects to the Congo people.