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Alecsey [184]
3 years ago
8

Which of the following is not considered a “victimless” crime against society?

History
2 answers:
Troyanec [42]3 years ago
5 0

Illegal downloads of copyrighted material is not considered a “victimless” crime against society.

Crimes Against Society may include: gambling, prostitution, and drug violations, represent society's prohibition against engaging in certain types of activity and are typically victimless crimes.

Crimes against society, such as alcohol, drugs, and animal abuse charges, are crimes that negatively affect society, rather than individuals or property.

Luba_88 [7]3 years ago
4 0
A is the answer whenever u put a dvd in your dvd player it says that 
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Panghuling Pagsusulit
Finger [1]

Answer:

Explanation:

Don’t speak Spanish

8 0
2 years ago
When the whites came to our country, we had the land and they had the Bible; now we have the Bible and they have the land.
nata0808 [166]

Answer:

When the whites came to rule, they abandoned all religious principles and began conquests in the name of personal gain rather than the worship of a higher power. The natives, unable to defend themselves, turned to god for help.

<em>I hope this helps you</em>

<em>:)</em>

8 0
2 years ago
Newly independent states modeled their bills of rights after the __________.
zalisa [80]
Which states? hope is the American states

They modeled their bill of rights after the federal bill of right

The federal bill of rights became part of the constitution in the Dec.1791. This was largely due to the efforts of Madison. The Bill of rights was based on the Magna carter, which laid the basis for the English basis of rights.

3 0
3 years ago
Read 2 more answers
What is one difference between Rome and Florence in the Renaissance?
oksano4ka [1.4K]

The Renaissance of Rome was a spectacular affair. At the beginning of the fifteenth century, Rome was the shadow of what it was when it was the seat of the powerful Roman Empire. It had a population of about one million in the first century, which declined to about 25.000 at the beginning of the fifteenth century.

In Rome, the Renaissance began with Pope Martin V and continued under the following popes who ordered the construction of many religious, public and private monuments that contributed to enrich and embellish the city. Many of these buildings could be constructed from old marble monuments. The Imperial Forums were the quarry for the new Renaissance marble monuments.  

During the Renaissance, Rome appeared as a work, the city remembers the archaeological excavations in which were found many historical remains of ancient Rome, for example, the famous Domus Aurea of Nero. The Church ordered the restoration of churches and monuments thanks to the great architects and painters of that time. In particular, the buildings and churches of Rome were enriched with frescoes and decorations of rare beauty that can still be admired today by visiting the city.

The Renaissance church has the symbolic cross shape (Latin or Greek) and was covered by a flat dome, often covered by vaults that replaced the Medieval domes and cross vaults.

Florence, the symbol of the Renaissance, rose in order to dominate cultural and economically in the fifteenth and sixteenth centuries, under the Medici government. Its 600 years of extraordinary artistic activity can be seen especially in the cathedral of Florence (13th century), in the Basilica of Santa Croce, in the Uffizi, in the Palazzo Vecchio, in the Palazzo Pitti, and in the works of the great masters like Giotto, Brunelleschi, Botticelli, Leonardo and Miguel Angel.

In Florence, there was an indisputable theater of the Renaissance and that is why it was called as "the cradle of the Renaissance" since artists, painters, architects and sculptors moved to Rome, where they later left some of their famous works to the world.


3 0
3 years ago
Buenas tardes, necesito porfavor la historia y arte del hinduismo, doy 15 puntos, gracias.
Galina-37 [17]
Historia:

Las creencias y prácticas religiosas básicas de hinduismo no pueden entenderse fuera de su contexto histórico. A pesar de que resulta imposible situar los primeros textos y eventos, su desarrollo cronológico general se puede seguir con mucha claridad.

En el valle del río Indo floreció, alrededor del 2000 a.C., una civilización muy desarrollada, en las proximidades de las localidades de Harappa y Mohenjo-Daro. Más o menos en el 1500 a.C., cuando las tribus arias invadieron la India, esta civilización cayó en decadencia. Según los vestigios actuales resulta imposible saber si estas dos civilizaciones tuvieron o no algún tipo de contacto significativo. Sin embargo, muchos elementos propios del hinduismo que no estaban presentes en la civilización védica, como el culto fálico y el dedicado a las diosas, el bañarse en los estanques de los templos y las posturas del yoga, pueden ser derivadas de la civilización del valle del Indo.

Hacia el año 1500 a.C., los arios ya estaban asentados en el Punjab. Llevaban consigo su panteón de dioses indoeuropeos, que era principalmente masculino, y una sencilla ética guerrera y mundana aunque profundamente religiosa. Los dioses del panteón védico sobrevivieron en el hinduismo tardío, pero ya no volvieron a ser objeto de culto: Indra, rey de los dioses y dios de la tormenta y de la fertilidad; Agni, dios del fuego; Soma, dios de la soma (planta sagrada y con cuya bebida se embriagaban). Más o menos en el 900 a.C., el uso del hierro hizo posible que los arios pudieran desplazarse hacia el sur, al rico valle del río Ganges, donde desarrollaron una civilización y un sistema social mucho más avanzado. Durante el siglo VI a.C., el budismo comenzó a dejar sus huellas en la India, lo que se transformaría a lo largo del milenio en una interacción muy fructífera con el hinduismo.

Arte:

se caracteriza principalmente por ser un reflejo de la compleja sociedad india, multiétnica y multicultural. Asimismo tiene un carácter principalmente religioso, sirviendo el arte como medio de transmisión de las distintas religiones que han jalonado la India: hinduismo, budismo, islamismo, cristianismo, etc. También hay que destacar como rasgo distintivo del arte indio su afán de integración con la naturaleza, como adaptación al orden universal, teniendo en cuenta que la mayor parte de elementos naturales (montañas, ríos, árboles) tienen para los indios un carácter sagrado.
4 0
3 years ago
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