Answer: 83% of New Mexico's Hispanics were native-born and 17% foreign-born. Many Hispanics in New Mexico claim a Spanish ancestry, especially in the northern part of the state. These people are the descendants of Spanish-speaking colonists who arrived during the 16th, 17th, and 18th centuries, often referred to as Hispanos.Among the most important Hispanic cultural influence is the world of entertainment. Salsa, merengue, Latin rap, Latin songs and today, Reggaeton, consolidate a stable market not only for the Spanish natives but for the Americans as well.Large Hispanic populations in the southwestern U.S. can be traced to the Spanish exploration and settlement of the area nearly 500 years ago. In the 1500s, Spaniards explored present-day New Mexico, Arizona and parts of Colorado, lands that later became Spanish territories.The New Deal began to offer assistance to Hispanic Americans through its various relief and recovery programs. In particularly, the Civilian Conservation Corps (CCC) and Works Progress Administration (WPA) hired unemployed Mexican Americans on relief jobs throughout the Southwest, both rural and urban.Aug. 12, 2021, at 4:57 p.m. SANTA FE, N.M. (AP) — New Mexico has retained its title as the nation's most heavily Hispanic state, with 47.7% of respondents to the 2020 census identifying ancestry linked to Latin America and other Spanish-speaking areas.
Answer:
"The Masque of the Red Death" (originally published as "The Mask of the Red Death: A Fantasy") is a short story by American writer Edgar Allan Poe, first published in 1842. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death, by hiding in his abbey. He, along with many other wealthy nobles, hosts a masquerade ball in seven rooms of the abbey, each decorated with a different color. In the midst of their revelry, a mysterious figure disguised as a Red Death victim enters and makes his way through each of the rooms. Prospero dies after confronting this stranger, whose "costume" proves to contain nothing tangible inside it; the guests also die in turn.
Poe's story follows many traditions of Gothic fiction and is often analyzed as an allegory about the inevitability of death, though some critics advise against an allegorical reading. Many different interpretations have been presented, as well as attempts to identify the true nature of the eponymous disease. The story was first published in May 1842 in Graham's Magazine and has since been adapted in many different forms, including a 1964 film starring Vincent Price. Poe's short story has also been alluded to by other works in many types of media.
Explanation:
They were all part of The Carter Adminstration
