Answer:
the quality of being made up of exactly similar parts facing each other or around an axis.
Explanation:
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There are three basic types of relief sculpture: (1) low relief where the sculpture projects only slightly from the background surface; (2) high relief where the sculpture projects at least half or more of its natural circumference from the background, and may in parts be wholly disengaged from the ground, thus approximating sculpture in the round. [Sculptors may also employ middle-relief , a style which falls roughly between the high and low forms]; (3) sunken relief, where the carving is sunk below the level of the surrounding surface and is contained within a sharpely incised contour line that frames it with a powerful line of shadow. The surrounding surface remains untouched, with no projections. Sunken relief carving is found almost exclusively in ancient Egyptian art, although it has also been used in some beautiful small-scale ivory reliefs from India.
The Two Fridas (Las dos Fridas in Spanish) is an oil painting by Mexican artist Frida Kahlo. The painting was the first large-scale work done by Kahlo and is considered one of her most notable paintings.[1] It is a double self-portrait, depicting two versions of Kahlo seated together. One is wearing a white European-style Victorian dress while the other is wearing a traditional Tehuana dress.[1] The painting was created in 1939, the same year that Kahlo divorced Diego Rivera,[1] although they remarried a year later.
Some art historians have suggested that the two figures in the painting are a representation of Frida's dual heritage.[2] Her father, Guillermo Kahlo, was German; while her mother, Matilde Calderon, was Mestizo (a mix of Spanish and Native American).[3] Another interpretation is that the Tehuana Frida is the one who was adored by her husband Diego Rivera, while the European Frida is the one that was rejected by him.[4] In Frida's own recollection, the image is of a memory of a childhood imaginary friend.[5]
Both Fridas hold items in their lap; the Mexican Frida holds a small portrait of Diego Rivera, and the European Frida holds forceps. Blood spills onto the European Frida's white dress from a broken blood vessel that has been cut by the forceps. The blood vessel connects the two Fridas, winding its way from their hands through their hearts.[6] The work alludes to Kahlo's life of constant pain and surgical procedures and the Aztec tradition of human sacrifice.[6] Because this piece was completed by Kahlo shortly after her divorce, the European Frida is missing a piece of herself, her Diego.[4]
According to Kahlo's friend, Fernando Gamboa, the painting was inspired by two paintings that Kahlo saw earlier that year at the Louvre, Théodore Chassériau's The Two Sisters and the anonymous Gabrielle d'Estrées and One of Her Sisters.[7]
Answer
A religious artwork of Christ , the Virgin Mary or a Saint that was used to honor the figure was called Icon.
Explanation
Icon refers to an image with a religious content, meaning and usefulness. The style used in an art does not make a painting an icon but the subject, meaning and application. Not all representations of a religious subject is an Icon. Icons in modern days are used as symbols to give people a kind of symbolic image of holy persons in heaven.
