Answer:
Because without internet culture, a meme that is essentially just a picture of hallway demons with the caption "me and the boys at 3 am lookin for beannnzzz" wouldn't be funny.
Explanation:
Art in the past has often been abstract. So too, has our humor.
Answer:
Many old-school producers still grit their teeth when the topic of Distortion comes up. This is because Distortion was a big problem back in the days. Volume levels would go beyond what a certain piece of hardware could handle and you’d end up with a tidal wave of unwanted noise that would kill your mix.
The Distortion of today is not that different, except for the fact that it has gone from undesirable effect to creative tool. Most Distortion tools – we should really say Distortion simulators – imitate certain forms of analog Distortion while giving it a spin of their own. Guitar amps are excellent examples of this, often used to give electric guitars their raw and rocky edge.
But Distortion is also a great weapon for dance music producers, not just for the people who like harsh guitar riffs. In its plug-in form, Distortion tools add large amounts of gain to your audio signal, causing the peaks of the signal/sound to compress or clip. This leads to various effects, such as added harmonics and a smaller dynamic range. But most importantly, the right amount of Distortion can make your audio signal sound warmer and more nasty. And that’s exactly what you wanted, right?
Explanation:
You write the Gb in the base; no chord members must be doubled because it's a seventh chord. To spell the rest of the chord you would find common tones between the last chord and the current tones (If the soprano had G in the previous chord give the soprano G in this chord). Once you've found your common tones, you'd then find close tones (if the tenor had Eb in the last chord give him D in this one). You then give the remaining chord member to the last part.
