Answer: little to no oxygen
Explanation:
The correct answer for the question that is being presented above is this one: "d. The poem explores the inner world of an individual." The element of the romantic movement is present in this excerpt from the "The Solitary Reaper" by William Wordsworth is that the poem explores the inner world of an individual.
Answer:
The detail that uses sensory words to describe Akela is:
C. out at full length on his rock.
Explanation:
Sensory words are words or phrases that appeal to one of more of our five senses: sight, smell, taste, touch, and hearing. Having that in mind, we can use elimination to answer this question:
A. a hilltop covered with stones and boulders - may appeal to sight, but does not refer to Akela. This option is incorrect.
B. who led all the Pack by strength and cunning - does refer to Akela, but does not appeal to any of the five senses. The words "strength" and "cunning" demand a different kind of interpretation from readers. This option is incorrect.
C. out at full length on his rock - this is the correct option. We can imagine Akela lying down on the rock; we can even see the position of his body because of this description. Imagine your dog or cat, for instance, lying down on the floor, with his/her belly's whole extension touching the floor.
D. from badger-coloured veterans - again, does appeal to the senses, but does not refer to Akela. This option is incorrect.
Mrs. Mallards excitement at the prospect of a new life
Answer:
B. to lend impact to the sonnet's conclusion.
Explanation:
The lines present in the question were taken from Shakespeare's Sonnet 130. <u>The two lines at the end, or the final couplet, are structured in a different way from the others because their purpose is to lend impact to the sonnet's conclusion. Throughout the poem, the speaker is "criticizing" the woman he loves. </u>While Petrarchan sonnets were usually used to elevate women to an impossible status, comparing them to natural elements and concluding that they were always more beautiful, Shakespeare's Sonnet 130 does the opposite. The woman is a normal one, not more beautiful, sweeter, nor better smelling than anything else. <u>Still, at the final couplet, after all that criticism, the speaker says he loves her. Not only does he love her, but he won't lie about her. He loves her for who she really is.</u>
