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nata0808 [166]
3 years ago
12

In order to take a hand-held shot that is not blurry you need to be sure that your

Arts
2 answers:
Mazyrski [523]3 years ago
6 0
This is a true statement
Ugo [173]3 years ago
3 0

Answer:

true

Explanation:

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C. Jacques-Louis David

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Jacques-Louis David was a French painter in the Neoclassical style, considered to be the preeminent painter of the era.

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Béla Viktor János Bartók was a Hungarian composer, pianist, and ethnomusicologist. He is considered one of the most important composers of the 20th century

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3 years ago
15. What is low female voice?
kotykmax [81]

Answer:

The Contralto is the lowest female singing voice and like the Basses and Countertenors, they're quite rare. The Contralto has a tessitura of around an E3-E5 and a good amount of vocal weight. These are the ladies that almost sound like men when they speak or sing lower notes.

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3 years ago
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Which Miles Davis selections did you listen to? Describe the music in details? I choose so what.
scoundrel [369]

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Between his first recording session in 1944 and his death in 1991, Miles Davis changed the course of music many times. The first of these came with the short-lived lineups he assembled for a New York residency and three studio sessions between January 1949 and March 1950. The nine-piece lineup was unusual – few jazz bands used a French horn – and the gigs attracted little attention. The sessions produced a handful of singles for Capitol Records, later collected as an album called Birth of the Cool – these ensured the band’s shadow would prove longer than all but a handful of its contemporaries.

The recordings were the result of hanging out after hours at arranger Gil Evans’s basement flat. The punchy, brightly coloured Venus de Milo was one of three tracks the group recorded that was composed by saxophonist Gerry Mulligan. The epithet “cool” isn’t entirely helpful, suggesting a prizing of style over substance: this music is never aloof or detached. Rather, this is what you got when you tuned down the frenzy of Charlie Parker and Dizzy Gillespie and allied it to the kind of sophisticated big-band arrangements Duke Ellington pioneered. Davis was a fan – and a part – of both traditions: not for the first time, what he crafted was a fusion of preceding forms that changed what would follow.

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