Explanation:
Being young is overrated. Being old is underrated. Being in the middle is middle-rated. The only reason people don't pass smoothly—with acceptance, dignity, and age-appproriate rewards and responsibilities—from one stage to the next is because modern societies don't value humans. They value images and synthetic versions of how people should behave and act and buy—created by the diseased reality-distortion field of the media. All people are seen as throwaway, and once they reach a certain age, they have little value. Wisdom is for naught. And even youth is nothing unless bartered in some way in a marketplace of masks and images. All people are victims of this, at least until they see it and resist. Resist being made and seen as a cartoon of a human. You are fully human and just right for your age and perfect for who you are at every moment all the time throughout your life.
Answer:
I think it is c but I am not positive
Explanation:
I know it is not a or b because if you have ever read gift of the magi you will understand that this has nothing to do with the underlying conflict. I believe it to be c because if you once again have ever read the short story she is very upset because she can't get a great gift for her husband.
Please let me know if this helped or not
The main purpose is that when Juliet wanted to be with romeo so romeo killed himself and Juliet drink poison
hope this helps I hope you get it right :P
The right answer is:
The aspect of this passage which most creates suspense in the reader?
A. The use of figurative language
<em>Explanation:</em>
<em>In order for suspense to work in The Tell-Tale Heart by Allan Poe, this story needs figurative language. The vulture eye which terrifies and haunts the narrator builds suspense until it comes to a conclusion. </em>
<em>“It was open --wide, wide open --and I grew furious as I gazed upon it. I saw it with perfect distinctness, all a dull blue, with a hideous veil over it that chilled the very marrow in my bones...</em>
<em>but I could see nothing else of the old man's face or person: for I had directed the ray as if by instinct, precisely upon the spot.” </em>
<em>This language is giving little away to tease the reader. Edgar Allan Poe uses figurative language to develop an inventive story that averts a certain outcome with lots of suspense.</em>
