Answer:
if you play video games don't trade (people are sneaky). don't give your credit card information on a website that is not official such as balance checkers that are not made by the card company.
Primary Source because the primary come from the person who actually live through what they wrote.
And secondary comes from the primary source but they might change stuff so that’s why it is not reliable.
Answer:
The conflict that occurs in the passage is:
<u>an external conflict between the mother, who wants to show off her famous daughter, and the daughter, who feels used.</u>
Explanation:
"Rules of the Game" is a short story by Amy Tan. The main character is Waverly Jong, a young girl who becomes an excellent chess player. Waverly is American, but her parents are Chinese immigrants. Her mother, in her broken English, teaches Waverly that the strongest wind cannot be seen, that patience and silence are powerful in defeating one's opponent.
Waverly is extremely intelligent and becomes a sort of child genius when it comes to chess. As a result, she is treated differently at home, being freed from her chores, excused from the table, and having the bedroom for herself. Still, her mother's actions bother her. Her hints at the way Waverly plays are nonsensical, and she feels proud as if she had taught her daughter how to play. Waverly feels used when she goes out shopping with her mother. She is introduced to everyone who will hear "This is my daughter Wave-ly". Her mother wants everyone to know she has a talented daughter.
<u>The conflict here is external, meaning it happens between the two characters, not within them. Waverly shows her emotions, but is misunderstood. Her mother feels offended, thinking her daughter is ashamed of being related to her. They are incapable of understanding each other, of communicating their feelings effectively. Waverly realizes her mother is the strongest adversary she will ever have, but she is smart enough to remember the lessons. At the end of the story, she is carefully planning her next move in life.</u>
Answer:
Alex Garland’s 2015 science fiction film Ex Machina follows a young programmer’s attempts to determine whether or not an android possesses a consciousness complicated enough to pass as human. The film is celebrated for its thought-provoking depiction of the anxiety over whether a nonhuman entity could mimic or exceed human abilities, but analyzing the early sections of the film, before artificial intelligence is even introduced, reveals a compelling examination of humans’ inability to articulate their thoughts and feelings. In its opening sequence, Ex Machina establishes that it’s not only about the difficulty of creating a machine that can effectively talk to humans, but about human beings who struggle to find ways to communicate with each other in an increasingly digital world.
The piece's opening introduces the film with a plot summary that doesn't give away too much and a brief summary of the critical conversation that has centered around the film. Then, however, it deviates from this conversation by suggesting that Ex Machina has things to say about humanity before non-human characters even appear. Off to a great start.
The film’s first establishing shots set the action in a busy modern office. A woman sits at a computer, absorbed in her screen. The camera looks at her through a glass wall, one of many in the shot. The reflections of passersby reflected in the glass and the workspace’s dim blue light make it difficult to determine how many rooms are depicted. The camera cuts to a few different young men typing on their phones, their bodies partially concealed both by people walking between them and the camera and by the stylized modern furniture that surrounds them. The fourth shot peeks over a computer monitor at a blonde man working with headphones in. A slight zoom toward his face suggests that this is an important character, and the cut to a point-of-view shot looking at his computer screen confirms this. We later learn that this is Caleb Smith (Domhnall Gleeson), a young programmer whose perspective the film follows.
The rest of the sequence cuts between shots from Caleb’s P.O.V. and reaction shots of his face, as he receives and processes the news that he has won first prize in a staff competition. Shocked, Caleb dives for his cellphone and texts several people the news. Several people immediately respond with congratulatory messages, and after a moment the woman from the opening shot runs in to give him a hug. At this point, the other people in the room look up, smile, and start clapping, while Caleb smiles disbelievingly—perhaps even anxiously—and the camera subtly zooms in a bit closer. Throughout the entire sequence, there is no sound other than ambient electronic music that gets slightly louder and more textured as the sequence progresses. A jump cut to an aerial view of a glacial landscape ends the sequence and indicates that Caleb is very quickly transported into a very unfamiliar setting, implying that he will have difficulty adjusting to this sudden change in circumstances.
These paragraphs are mostly descriptive. They give readers the information they will need to understand the argument the piece is about to offer. While passages like this can risk becoming boring if they dwell on unimportant details, the author wisely limits herself to two paragraphs and maintains a driving pace through her prose style choices (like an almost exclusive reliance on active verbs).
Answer:
The preamble sets the stage for the Constitution (Archives.gov). It clearly communicates the intentions of the framers and the purpose of the document. The preamble is an introduction to the highest law of the land; it is not the law. It does not define government powers or individual rights.
Explanation:
according to a g o o g l e answer
