Answer:
Traveling Wilburys – End Of The Line
A Thousand Miles – Vanessa Carlton
Kongos – Traveling On
Travelling – Paper Lions
Peter, Paul, and Mary – Leaving on a Jet Plane.
John Denver – Take Me Home, Country Roads
Explanation:
Here are some travelling songs, but there all older songs so let me know if you want newer songs.
I hope this helped and if it did I would appreciate it if you marked me Brainliest. Thank you and have a nice day!
Answer:
I suggest you find a picture of Biden sniffing somebody. Then make the caption: Biden. The Quicker-Sniffer-Upper. Or if you want to use that one you could say: Me: Listening how to over-throw the government and then My parents: Holding the FBI back
Explanation:
I hope this helps. Let me know!
Answer:
A) by showing three different representations of the same object, thus questioning the nature of representation
Explanation:
<u>A. is the right answer. </u>Joseph Kosuth did composition One and Three Chairs by placing a physical chair, hanging its photograph, and placing dictionary definition of the word <em>chair</em>. <u>By this, he tried to point to the discussion about what </u><em><u>is </u></em><u>actually an object and how different representations can lead to different views of the same thing. </u>He tries to ask us what is the most accurate representation and pointing to us <u>that different representations have different meanings. </u>
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B. is not the right answer. Kosuth did not try to point out that the dictionary definition has the same meaning. On the contrary, he tried to say how they have different effects and meanings. Also, there was a photography of the object as well.
C. is not the correct answer. The point was not to show different forms of art as much as to show different meanings and ideas about the same object.
Answer:
i believe it is C) i think i got it wrong... :(
Answer:a woodcut print in which effects of light and shade are produced by printing each tone from a different wood block.
Explanation:
In the graphic arts, the term chiaroscuro refers to a particular technique for making a woodcut print in which effects of light and shade are produced by printing each tone from a different wood block. The technique was first used in woodcuts in Italy in the 16th century, probably by the printmaker Ugo da Carpi.
