Answer:
Explanation:Lubezki explained that additional artificial lighting was used in only one scene set around a campfire where wind was causing the flames to behave erratically so light bulbs were placed around the fire to “create a cushion of light
Answer:
D. All of the above
Explanation:
Film is a recorded movie and it will always be the same, no matter what or how many times you watch the film because there is no constant change.
Theatre, however, is sometimes a constant change, there are understudies that need to be filled in and that understudy gives off a different vibe than the originally casted member in the show. There might be accidents, etc. Audience will always change as well since it almost a different show each time, say for instance today the performance was great, but tomorrow, they need an understudy to cover and it gives a different vibe. Every person casted in the show is usually comfortable with who has usually played in the show the most and constantly interactive and there are no "CUT!" or any redos, and have to continue on with show.
Answer:
I can't really record myself, but I can say that those are...
Eighth notes, rest, sixteenth notes, and then rest again.
Hope this helped. :)
<span> <span> A symphony is a symphony. Beethoven's 3rd and 5th symphonies certainly influenced other composers, but symphonic structure itself hasn't been redefined. Symphonie Fantastique is a symphony in name only; likewise the Rustic Wedding Symphony by Karl Goldmark - very pleasing music, but not really symphonic. César Franck included a cor anglais in his D minor symphony, and one critic remarked that it wasn't really a symphony *because* a cor anglais was included. Adding a chorus and/or vocal soloists doesn't alter symphonic form.
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