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7nadin3 [17]
4 years ago
11

Sending a busy manager a long email represents a problem in which area of the communication process? message decoder, sender, me

ssage encoder, message channel
Arts
2 answers:
Fed [463]4 years ago
6 0

It was Encoder the one on here that says its right is wrong

QveST [7]4 years ago
3 0
<span>Message encoding includes selecting and organizing a message. Messade decoding includes interpreting a message. Sender is the person who sends the message (the e-mail). Channel is the way in which the sender and the receiver of the message communicate (note, conversation, e-mail). In our case it is e-mail. 
</span><span>Sending a busy manager a long email represents a problem in the message decoder as an area of the communication process, because the manager is too busy and may be not able to read the message.</span>
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Answer:

John Coltrane conceived of "A Love Supreme" as an offering to God

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As projection became commonplace, movies expanded in length. In the first decade of the 20th century, most films were one or two reels long, or about 10 to 15 minutes, and they began to contain storylines, characterization, and even basic special effects. Georges Méliès' films The Haunted Castle and A Trip to the Moon amused viewers with disappearing objects, double exposure tricks, and fadeouts. The 1903 flick The Great Train Robbery, the very first real Western, excited viewers with its action scenes and intrigued them with its creative camera work, including shots taken from a moving train.

For many years, film producers were hesitant to make movies longer than one or two reels because they thought audiences would grow restless watching longer films. As the 1910s approached, however, a few directors decided to take the risk with feature length films. Les Miserables and The Life of Moses were four and five reels respectively, but they were released in sections. In 1911, Dante's Inferno, a 69-minute film, was released in its complete form, followed in 1912 by Oliver Twist and Queen Elizabeth.

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