The correct answer is A.
Prospero's attitudes toward both Ariel and Caliban are those of a master. His magic gives him power over them, and he wields it differently. He had rescued Ariel from a treen in which he had been trapped by Sycorax, a witch who was Caliban's mother, before Prospero's arrival in the island. Prospero constantly reminds Ariel of this fact, and promises him eventual liberation; this combination of guilt and hope keeps Ariel motivated.
Prospero's attitude towards Caliban is much harsher. Caliban views Prospero as a usurper, while Prospero thinks of Caliban as little more than a monster, and threatens him with pain to keep him in line. Caliban taught Prospero how to survive on the island, while Prospero taught him language and religion, while making him his servant.
The basal cell has less chlorophyll than the others, and is expanded and fixed firmly to the rock on which the plant grows by the basal surface, rh, thus forming a rudimentary rhizoid.<span>
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Answer:
This passage shows an example of Hemingway’s writing style in Tone – Suggesting emotions without explaining them
Explanation:
This passage has a deep and intense message of feelings even when they are not openly put on words, The sentences express sorrow and sadness with just a few words, it is not necessary for the characters to express either how sad they are with grim and dark words or to express how much sympathize with the other person's situation.
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The definition of ardor is a way of feeling or acting that is energetic and exciting.
An example of ardor is a passionate speech.
-It was widely believed that tomatoes would incite ardor in those who consumed them
-I could not take my gaze off that beautiful face, which was all aflame with the ardor of love.
Answer:
<em>'He is the same colour </em><em>as </em><em>the earth, and a great deal less interesting to look at.'</em>
Explanation:
George Orwell uses Simile, a figurative language device that compares two things using the adverbs like or as.
When describing the people working on the land he refers to them as the unvisible part of a (beautiful) visible landscape. This is a very subtle way of critisizing the British Empire that ignores (they don´t see them) the working people who, seen by Orwell, are doing important work.