This stoker's novel shows how fragile human existence was, and weakened the beliefs of free will and immortal soul. Stoker relied on medical sciences as a physiology and used much of the novel in his characters, brain actions that cast doubt on such beliefs as trance and somnambulism, dramatizing a very common fear at the time of the novel, the Victorian era. It was well portrayed the fear that at that time humans were soulless animals and followed only their physiological and cerebral instincts. The soul and the mind were in conflict. It was the religious faith of the time against the effects considered "paranormal", portrayed in the novel.
I'd say the answer is - After I laundered my cell phone in my pants, I mad sure to track where it was, especially when close to water.
It specifically states that the pants were laundered with the cell phone in them, and that he doesn't want to make that same mistake again.
You use expression by explaining your feeling in writing form. Sadness is one of the most expressed feelings in writing. Here is a site to get you an idea if you want to write a story:
https://www.scoopwhoop.com/saddest-lines-from-literature/#.fs19fnc37
Hope it helps!!!
hi
Landscape with the Fall of Icarus" is a poem by one of the foremost figures of 20th-century American poetry, William Carlos Williams, first published in Pictures from Brueghel and Other Poems in 1962. The poem is a work of ekphrasis—writing about a piece of visual art—and is part of a cycle of 10 poems inspired by the paintings of 16th-century artist Pieter Bruegel (or Brueghel) the Elder. Both Bruegel's painting and this poem depict the death of Icarus, the mythological figure who died after flying too close to the sun, in a rather unusual way: in both works, Icarus's death—caused by a fall from the sky after the wax holding his artificial wings together melted—is hardly a blip on the radar of the nearby townspeople, whose attention is turned instead toward the rhythms of daily life. Tragedy is thus presented as a question of perspective, something that depends on how close one is (literally and emotionally) to the event in question.
