Nicola abbagnano july 15, 1901, Hazel Barnes December 16, 1915
Answer:
a.
“Pancho” Villa
Explanation:
Under orders from President Wilson, U.S. Brigadier General John J. Pershing launched a punitive expedition into Mexico to capture or kill Villa and disperse his rebels.
Answer:
Explanation:
Born from the wartime hysteria of World War II, the internment of Japanese Americans is considered by many to be one of the biggest civil rights violations in American history. Americans of Japanese ancestry, regardless of citizenship, were forced from their homes and into relocation centers known as internment camps. The fear that arose after Japan's attack on Pearl Harbor created severe anti-Japanese prejudice, which evolved into the widespread belief that Japanese people in America were a threat to national security. On February 19, 1942, President Franklin D. Roosevelt signed Executive Order 9066, giving the government the power to begin relocation.
Executive Order 9066 placed power in the hands of a newly formed War Relocation Authority, the WRA. This government agency was tasked with moving all Japanese Americans into internment camps all across the United States. The War Relocation Authority Collection(link is external) is filled with private reports explaining the importance of relocation and documenting the populations of different camps. WRA Report No. 5 on Community Analysis prepares the reader for the different ways and reasons for which the "evacuees" might try to resist, and how to handle these situations.
This order of internment was met with resistance. There were Japanese Americans who refused to move, allowing themselves to be tried and imprisoned with the goal of overturning Executive Order 9066 in court. The Japanese American Internment Camp Materials Collection(link is external) showcases the trials of Gordon Hirabayashi and Minoru Yasui, two men who had violated the relocation order. In the case of Japanese-American Gordon Hirabayashi, an entire defense committee was created to garner funding and defend him in court. The case made it all the way to the Supreme Court, where the President's orders were declared constitutional and Hirabayashi was pronounced guilty. Minoru Yasui v. The United States met the same fate, with the justification that Yasui had renounced his rights as a citizen when he disobeyed the orders of the state.
While many fought this Order in the court system, non-Japanese Americans found other ways to voice their dissent. Church Groups provided boxed lunches for Japanese people as they left for internment camps, but even this simple act of charity was met with contempt. Letters and postcards from the Reverend Wendell L. Miller Collection(link is external) admonished one group of churchwomen, exclaiming that they were traitors for helping "the heathen" rather than the American soldiers fighting for their country. >
1.melody short phrases, large leaps
Towards the end of the past century composers as Steve Reich La Monte Young, Philip Glass, they began to explore what is now called minimalism, in which the music is stripped down to its most fundamental features; the music often features repetition and iteration. An early example is Terry Riley's In C from 1964, perhaps a random work in which short phrases are chosen by the musicians from a set list and played an arbitrary number of times, while the note C is repeated in quavers behind them. Philip Glass works are on the most representative perhaps also featuring as soundtracks of movies.
2, harmony mixed meter
This caused a very new sensation with an extreme irregular rhytm. While time signatures usually express a regular pattern of beat stresses continuing through a piece (sometimes a section), sometimes composers place a different time signature at the beginning of each bar, resulting in music with an extremely irregular rhythmic feel.
Examples;Promenade -- Modest Mussorgsky's Pictures at an Exhibition (1874) The opening already shows signs of this implement
3· rhythm atonality
Atonality first began as a pejorative term to condemn music in which chords were organized seemingly with no apparent coherence. the term describes music that does not conform to the system of tonal hierarchies that were traditionally seen in classical European music between the 1700's and 1900'a centuries Example; ending Schoenberg's "George Lieder" Op. 15/1
4.dynamics extremes
some pieces started to use additional markings of further emphasis. Extreme dynamic markings introduced an extreme range of loudness, or, and sometimes accompanied with very small differences of loudness within a normal range, this huge change was made possible with the orchestration of the work, usually using many loud instruments like brass and percussion playing at once. It became more widespread in late 1900s.
D. constantine.
He himself converted to Christianity.