Ok I will lol free points btw
Answer:
The Cherokee went to the Supreme Court again in 1831. This time they based their appeal on an 1830 Georgia law which prohibited whites from living on Indian territory after March 31, 1831, without a license from the state. The state legislature had written this law to justify removing white missionaries who were helping the Indians resist removal. The court this time decided in favor of the Cherokee. It stated that the Cherokee had the right to self-government, and declared Georgia's extension of state law over them to be unconstitutional. The state of Georgia refused to abide by the Court decision, however, and President Jackson refused to enforce the law.
Explanation:
Question: How did young people in the south, both black and white, voice their rejection of “the whole stigma of being inferior” during 1960 and the first half of 1961?
Answer: <u>Young people in the south, both black and white staged lunch-counter sit ins.
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Explanation: On February 1st 1960, four African American students sat down at a lunch counter where the official rule was to give service only to whites. The four were denied service, however, these men refused to give up their seats. This was their way of protesting and demonstrating their rejection towards “the whole stigma of being inferior”. On February 5th, about 300 students joined the protest by doing the same action at the lunch counter and other local businesses. This spread quickly to college towns in both the South and North. Young black and white people united and began their peaceful protest against segregation in beaches, libraries, hotels, malls, etc.
I think b is the correct answer upper quarter of states
The correct answer is:
A) Explored the pains and joys of being black in America.
The Harlem Renaissance was an intellectual, social, and artistic movement that took place in Harlem, New York, in the 1920s.
It was considered a rebirth of African-American arts. It encompassed poetry and prose, painting and sculpture, jazz and swing, opera and dance in a faithful representation of what it meant to be black in America, defying racist stereotypes and redefining how people of other races understood the African American experience.
