Descending it's F# minor. Ascending, no melodic minor scale contains those notes.
Eliott Carter was an American composer, whose personal harmonic and rhythmic language led to the invention of the term metric modulation. The latter describes frequent, precise tempo changes. In David Schiff's book "The Music of Elliott Carter", it is written that Elliott Carter preferred to call it tempo modulation.
Answer:
my answer would be yes... that is because if you think about it there is no sharp/flat between e and f, nor b and c, so it depends on how you want to look at it... b# is the same as c and Cb is the same as B... its just a matter of perception, a B# major scale should be the same as a C major scale and a Cb major scale should be the same as a B major scale
Explanation:
Geometry in art contributes to the peice’s shape and form. Geometry can be a key part of an artist’s style and create interesting visual elements. However, if the shapes and forms are used in a way that may disrupt the visual path of an art peice or obstruct the space, the whole image could become off kilter.
Yes because he cant lie about that
