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NemiM [27]
3 years ago
5

What is art? It has to be a different answer, not taken from Google.

Arts
2 answers:
-Dominant- [34]3 years ago
8 0

Art is a way to express your emotion and creativity.

Ludmilka [50]3 years ago
3 0
A type of therapy or way to express feeling that may be difficult to explain :)
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2nd opition is the correct answer

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How are landscape photography and event photography different?
Ber [7]

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ANSWER D

Explanation:

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How do social trends impact food and the food industry?
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3 years ago
What is a summary of the Akkadian era and what work of art best represents this era?
Lyrx [107]

Explanation:

Akkadian Period

Sargon of Akkad’s (reigned c. 2334–c. 2279 BCE) unification of the Sumerian city-states and creation of a first Mesopotamian empire profoundly affected the art of his people, as well as their language and political thought. The increasingly large proportion of Semitic elements in the population were in the ascendancy, and their personal loyalty to Sargon and his successors replaced the regional patriotism of the old cities. The new conception of kingship thus engendered is reflected in artworks of secular grandeur, unprecedented in the god-fearing world of the Sumerians.

Architecture

One would indeed expect a similar change to be apparent in the character of contemporary architecture, and the fact that this is not so may be due to the paucity of excavated examples. It is known that the Sargonid dynasty had a hand in the reconstruction and extension of many Sumerian temples (for example, at Nippur) and that they built palaces with practical amenities (Tall al-Asmar) and powerful fortresses on their lines of imperial communication (Tell Brak, or Tall Birāk al-Taḥtānī, Syria). The ruins of their buildings, however, are insufficient to suggest either changes in architectural style or structural innovations.

Sculpture

Two notable heads of Akkadian statues have survived: one in bronze and the other of stone. The bronze head of a king, wearing the wig-helmet of the old Sumerian rulers, is probably Sargon himself. Though lacking its inlaid eyes and slightly damaged elsewhere, this head is rightly considered one of the great masterpieces of ancient art. The Akkadian head in stone, from Bismāyah, Iraq (ancient Adab), suggests that portraiture in materials other than bronze had also progressed.

bronze head of a king

Bronze head of a king, perhaps Sargon of Akkad, from Nineveh (now in Iraq), Akkadian period, c. 2300 BCE; in the Iraq Museum, Baghdad.

Where relief sculpture is concerned, an even greater accomplishment is evident in the famous Naram-Sin (Sargon’s grandson) stela, on which a pattern of figures is ingeniously designed to express the abstract idea of conquest. Other stelae and the rock reliefs (which by their geographic situation bear witness to the extent of Akkadian conquest) show the carving of the period to be in the hands of less competent artists. Yet two striking fragments in the Iraqi Museum, which were found in the region of Al-Nāṣiriyyah, Iraq, once more provide evidence of the improvement in design and craftsmanship that had taken place since the days of the Sumerian dynasties. One of the fragments shows a procession of naked war prisoners, in which the anatomic details are well observed but skillfully subordinated to the rhythmical pattern required by the subject.

Some compensation for the paucity of surviving Akkadian sculptures is to be found in the varied and plentiful repertoire of contemporary cylinder seals. The Akkadian seal cutter’s craft reached a standard of perfection virtually unrivaled in later times. Where the aim of his Sumerian predecessor had been to produce an uninterrupted, closely woven design, the Akkadian seal cutter’s own preference was for clarity in the arrangement of a number of carefully spaced figures.

Cylinder seal impression from the Akkadian period with a combat scene between a bearded hero and a bull-man and various beasts; in the Oriental Institute, University of Chicago.

Courtesy of The Oriental Institute of The University of Chicago

6 0
3 years ago
Compare the egyptian sculpture of king menkaure (mycerinus) with the greek kuros . how are they similar? how are they different?
enyata [817]

This juxtaposition between the Old Kingdom Egypt's Menkaure and his Queen and Archaic Greece's Kouros of Anavysos exemplifies the differences between stylized or conventionalized style and Ancient Greece's more realistic approach.

<h3>What was the objective of Egyptian sculpture?</h3>

Art was magical in ancient Egypt. Art, whether in the form of painting, sculpture, carving, or calligraphy, had the capacity to preserve global order and bestow everlasting life by appealing to numerous gods to intervene on people's behalf in both life and death.

The first evident similarity between these two individuals is their shape and stance.

The shapes in both sculptures are rigid, with one leg in front of the other, as if walking, and both arms straight down, their fists clenched in a fist. It consists of both the left and right feet being placed in front of the right, as well as no knee, hip, or waist bend.

There are numerous differences that truly reflect the traits of each of these civilizations over these historical periods, in addition to all of these great parallels. Unlike Menkaure and his Queen, Kouros of Anavysos' craftsman removed all of the stone from around the body to produce a more free-standing figure that seems more lifelike.

Learn more about Egyptian sculpture

brainly.com/question/5498251

#SPJ1

5 0
1 year ago
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