Answer:
18. The grid lines point to a Grid North, varying slightly from True North. This variation is smallest along the central meridian (vertical line) of the map, and greatest at the map edges. The difference between grid north and true north is very small and for most navigation purposes can almost always be ignored.
19. Most military maps will display the declination diagram in the lower margin. Some maps may not display the declination diagram and will only list the declination information as a note in the map margin. The G-M angle value is the size of the angle between grid north and magnetic north.
20. Must be oriented
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The answer is A, Villa Rotunda by Palladio.
Answer:
Aliens would be modified versions of us. They would have bigger heads and smaller mouths as they communicate telepathically . They would work as one. They would have better body armor suits that would make them look bigger then they are and keep them safe. They want to learn our ways and teach us to expand our minds to use the rest of our brains. They want to see if we are ready to learn and grow.
Explanation:
Everyone makes them scary thought a different take migt get a better grade
humanism
Sibyl
Leonardo da Vinci.
anatomy
St. George
Sleeping Venus
Mona Lisa
Michelangelo
The theme of a pietà centers on Mary mourning over the body of the crucified Christ.
In Rome, Raphael was commissioned by Pope Julius II to create frescoes in the Vatican palace. Both his artistic and architectural work would continue under Pope Julius and under his successor, Pope Leo X.
Explanation: Penn foster
He liked Jean Renoir and Orson Welles' work for their use of wide vistas and deep focus photography because he believed that these techniques would give viewers more opportunity to interpret what they saw on film as they would in real life.
<h3>Who was Andre Bazin?</h3>
French film critic and theorist André Bazin (18 April 1918 – 11 November 1958) was well-known and respected. In addition to co-founding the acclaimed film magazine Cahiers du cinéma in 1951 with Jacques Doniol-Valcroze and Joseph-Marie Lo Duca, Bazin began writing about movies in 1943. His claim that reality is the primary purpose of cinema makes him stand out. His demand for objective reality, intense concentration, and the absence of montage are all related to his conviction that the viewer should be free to interpret a movie or scene as they see fit. This put him at odds with film theory from the 1920s and 1930s, which focused on how the movie industry could distort reality.
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