A two-voice poem is written for 2 human beings to perform. The poem generally has columns—one for anyone who's studying the poem. Each character studying the poem reads the textual content in one of the columns.
(B). A poem that uses two narrative speakers
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The description shows her efficient organization
We can infer an author's attitude toward a subject through his or her use of imagery. The author's attitude toward a subject is also known as tone. The word choices Twain made when writing this passage make his attitude about laziness clear.
Consider the connotation (the feeling) of the words used in the passage. The houses were "old" and "shackly" (like shacks). These words do not have a positive connotation. They make the reader think of old and rundown things.
The gardens raise nothing but weeds and ash. Ashes are the remains of a fire -- something dead. The gardens are also littered old shoes, broken glass, rags, and other trash. Pigs often enter the garden because the people have not erected a fence good enough to keep them out. When the reader imagines this scene, the effect is sad and pathetic, for there is no reason not to pick up one's trash.
The fences likely hadn't been fixed since the time of Columbus, a few hundred years earlier. While this is likely exaggeration, the point is the same. These people are truly lazy and live in filth as a result.
From Twain's imagery and word choices, it is clear that Twain's opinion of laziness is a negative one. He sees laziness as a sign of moral decay, as evidenced by words like "ash," "played out" and broken glass.
1) person
2)gender
3)case
4)personal pronoun
5)number
En el Acto I, Escena I, Teobaldo entra y ayuda a sus sirvientes, Sansón y Gregorio, que están luchando en las calles con los sirvientes de los Montesco, Abraham y Baltasar. Al ver a Benvolio (el primo de Romeo) tratando de detener la pelea, Teobaldo saca su espada para luchar contra Benvolio, diciendo:
¿Qué, desenvainar y hablar de paz? Odio la palabra.
Como odio el infierno, todos los Montesco, y tú.
¡Ten a ti, cobarde!
Más tarde, en el baile de los Capuleto, Teobaldo es el primero en reconocer a Romeo a través de su disfraz, y lo mataría si no fuera prohibido por su tío, el señor Capuleto. Su deseo de venganza sin ser visto, Teobaldo envía una carta de desafío a Romeo para un duelo a muerte. Al comienzo del Acto III, entra a buscar a Romeo, solo para crear tensiones con Mercucio, quien se burlaba de Teobaldo incluso antes de que entrara en escena. Teobaldo inicialmente ignora a Mercucio y se enfrenta a Romeo, quien se niega a luchar debido a su matrimonio con Julieta. Teobaldo se enfada aún más; no sabe que Romeo no puede pelear con él porque ahora son parientes.