The Artist with one of his best-known works in painting like Colonel Acland and Lord Sydney: The Archers, Marriage á la Mode and The Ray
1.)Hogarth =============> C.)Marriage á la Mode
2.)Reynolds ============> B.)Colonel Acland and Lord
Sydney: The Archers
3.)Chardin ============> A.)The Ray
Hogarth is nice recognized for his series art work of cutting-edge moral subjects', of which he bought engravings on subscription. the collection contains the set referred to as 'Marriage A-los Angeles-Mode. although pugnaciously opposed to Continental artwork.
Paintings page for Colonel Acland and Lord Sydney The Archers, Sir Joshua Reynolds, 1769 This portrait depicts younger aristocrats. Marriage Mode is a chain of six satirical art work by means of William Hogarth that warn in opposition to the top-elegance exercise of contractual marriage, in which suits are made like commercial enterprise transactions, changing wealth for entry into nobility.
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Manga Ormolu enters the dialogue on contemporary culture, technology, and globalization through a fabricated relationship between ceramic tradition (using the form of Chinese Ming dynasty vessels) and techno-Pop Art. The futuristic update of the Ming vessels in this series recalls 18th century French gilded ormolu, where historic Chinese vessels were transformed into curiosity pieces for aristocrats. But here, robotic prosthetics inspired by anime (Japanese animation) and manga (the beloved comics and picture novels of Japan) subvert elitism with the accessibility of popular culture.
Working with Asian cultural elements highlights the evolving Western experience of the “Orient.” This narrative is personal: the hybridization of cultures mirrors my identity as an ethnically-mixed Asian Canadian. My family history is one of successive generations shedding the markers of ethnic identity in order to succeed in an adopted country – within a few generations this cultural filtration has spanned China, India, Trinidad, Ireland and Canada.
While Manga Ormolu offers multiple points of entry into sociocultural dialogue, manga, by nature, doesn’t take itself too seriously. The futuristic ornamentation can be excessive, self-aggrandizing, even ridiculous. This is a fitting reflection of our human need to envision and translate fantastic ideas into reality; in fact, striving for transcendence is a unifying feature of human cultural history. This characteristic is reflected in the unassuming, yet utterly transformable material of clay. Manga Ormolu, through content, form and material, vividly demonstrates the conflicting and complementary forces that shape our perceptions of Ourselves and the Other.
The answer is Giovanni pierlugi
The answer is D because the others are talking about the paintings themselves and not the figures