Answer:
i think is A, maybeeeeeeee
Answer:
True or False - You should not use the authors’ last names in the citation if the authors’ names appear in the text.
Answer: True
Explanation below:
Explanation:
When it comes to English Grammar, a signal phrase is a type of phrase sentence or clause that often introduces a quotation, paraphrase, or summary. This type of phrase contains a verb together with the name of the person that is being quoted.
It alerts the reader that something taken from an entirely different source is about to be used.
Below is an example:
Daniel testified that he was not in the house when his neighbor’s dog died (13).
The author’s name is included and the page number in parenthesis.
So when the author’s name does not appear in the text, you should not use the author’s last names in the citation.
Answer:
gracias tipo señor / señora
Explanation:
;););)
Since nothing is underlined, I am going to make an educated guess that the underlines clause is "who had worked with the business person". If that is the case, the correct answer would be D - adjective clause. It is a relative clause, to be more precise, because it starts with a relative pronoun "who", but that is a part of adjectival clauses, so that is the correct answer.
A poem about cat with 3 stanze and rhyming in one line word in each stanze 3 line is described below.
Explanation:
1. A three line stanza is called a tercet. A four line stanza is a quatrain, and a five line stanza is a quintet.
2. 3 line stanzas are called Tercets. A stanza in poetry is a group of lines usually separated by a blank line. Stanzas of 3 lines are called Tercets from the Latin word tertius meaning three.
3. A poem or stanza with one line is called a monostich, one with two lines is a couplet; with three, tercet or triplet; four, quatrain. six, hexastich; seven, heptastich; eight, octave.
4. A monostich has been described as 'a startling fragment that has its own integrity'[2] and 'if a monostich has an argument, it is necessarily more subtle.'[3]
A monostich could be also titled; due to the brevity of the form, the title is invariably as important a part of the poem as the verse itself:[4]
5. Some one line poems have 'the characteristics of not exceeding one line of a normal page, to be read as one unbroken line without forced pauses or the poetics of caesura', and others having ' a rhythm, (as with one-line haiku), dividing easily into three phrases'
