Not true.
i'm an artist, you can trust my input.
working with photography, you can take a picture of anything. right? my point comes to this, subject doesn't matter. for example, lets say i go out and take a picture of a trash can. trash cans are not that pleasing to the eye. you can take some ordinary photo of that single trash can. what matters is the angles. don't overthink it. you have to let creativity flow in order to get an interesting result. get low to the ground and get close. maybe get some details in there. then to take it even a step further, that goes into your editing. that can also add to the photo. but the raw photo itself, you need to get creative.
hope that helped?
Answer:performed or occurring as a result of a sudden impulse or inclination and without premeditation or external stimulus. Improvisation: something that is improvised, in particular a piece of music, drama, etc. created spontaneously or without preparation.
Explanation:
<h3>i copied and pasted from google bc im only in middle school lol</h3>
Answer:
Explanation:
Surrealism, movement in visual art and literature, flourishing in Europe between World Wars I and II. Surrealism grew principally out of the earlier Dada movement, which before World War I produced works of anti-art that deliberately defied reason; but Surrealism’s emphasis was not on negation but on positive expression. The movement represented a reaction against what its members saw as the destruction wrought by the “rationalism” that had guided European culture and politics in the past and that had culminated in the horrors of World War I. According to the major spokesman of the movement, the poet and critic André Breton, who published The Surrealist Manifesto in 1924, Surrealism was a means of reuniting conscious and unconscious realms of experience so completely that the world of dream and fantasy would be joined to the everyday rational world in “an absolute reality, a surreality.” Drawing heavily on theories adapted from Sigmund Freud, Breton saw the unconscious as the wellspring of the imagination. He defined genius in terms of accessibility to this normally untapped realm, which, he believed, could be attained by poets and painters alike.
Answer:
C.
They believed that each person had to provide for their afterlife.
True. <span>At the end of each line a stressed final syllable is said to be 'a masculine ending' and an unstressed final syllable is said to be 'a feminine ending.' </span>
