Both simile and metaphor compare two different things, but the simile uses words such as "like" or "as" to make that comparison, while the metaphor does not.
The 10 similes are the following:
- My head felt like a balloon after our roller-coaster ride.
- She has lips as rose petals.
- His eyes are like two bright stars.
- This cake is like a rock!
- She said her children are like little tornadoes when they play together.
- Mona is as a delicate flower.
- My father is so protective I've always said he is like a bear.
- Anna swims like a fish, so I am sure she will win the competition.
- That poor boy was innocent as a lamb.
- My ex was always acting like a queen.
The 10 metaphors are the following:
- Her veiny hands were two white spiders when she reached out.
- My husband is a lion when someone messes with our kids.
- Her hair was a brown ocean of endless waves.
- After so many mosquito bites, her legs were constellations.
- Chris was quite the Judas, so I will never forgive him.
- My sorrow is a deep, dark, bottomless well.
- I tried dating him, but his heart is an iceberg.
- When we were in love, his embrace was my home.
- After working out so much, he has rocks for biceps.
- I was but a pawn in her plan to conquer.
<h3>What is the difference between simile and metaphor?</h3>
Both simile and metaphors are types of figurative language that consist of comparing different things. The purpose is to show, with a colorful language, that one thing has certain characteristics that belong to another thing.
The difference between a simile and a metaphor is that the simile relies on the use of words such as "like" and "as", whereas the metaphor does not. For example, suppose you want to say someone has soft skin. You can compare it to cotton using either a simile or a metaphor:
- Simile: She has skin like cotton.
- Metaphor: He skin is cotton.
With the information above in mind, we can conclude that the answers provided above are correct.
Learn more about simile and metaphor here:
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It intensifies the conflict.
A complication adds to the problem of the story. The stories problem is the conflict. Many times there is more than one complication. When labeling a plot line for a story, the complications can be found in the rising action. This takes place between the exposition and the climax. The exposition of a story introduces the characters, setting, and conflict. The climax is the pivotal point in the conflict. The character can never return to the way things were when the story started out. Something or someone has been irrevocably changed.
Where is the picture for the question?
The reason we use monsters in literature then? The role they play? There is no singular one. But I personally believe that we use monsters to take everything we dislike about ourselves as humans, and also all of those animalistic instincts we suppress, and put them into one form. We lock those beings in a cupboard or shove them under our beds so that we never have to look at them. And we take them out when we want to create a story - when we want to speculate from far away and see what happens. In that regard, every piece of artwork ever developed starring a monster and a hero is a constructed, thoroughly planned social experiment.
