Answer:
- after using numerous instruments to measure weather conditions Hackness is sure that dense fog is coming.
Explanation:
As per the excerpt provided, the first option i.e. 'after...coming' most adequately narrates that how the setting(context and circumstances) affects the strengthened belief of Hackness that he could rightly conclude the upcoming weather condition in that specific region. <u>The descriptions display that he possessed specific instruments that could measure sunlight, atmospheric weight, the pressure of the winds, etc. through which he was able to deduce aptly that London might face a dense fog situation</u>. These equipments gave him the desired confidence to estimate actual data regarding the weather condition and make justified conclusions. Thus, the <u>first option</u> is the correct answer.
Answer:
as i understand it its likedo idea working alone sounds goodto me sorry if im wrong :[]
Explanation:
yes idea working alon sounds good becouze ther is only you to pick what are you do on the project
Answer:
1.through their word choice
3.through their tone
5.through the story's mood
e2020 answer
Explanation:
In the early 1930s, Lange, mired in an unhappy marriage, met Paul Taylor, a university professor and labor economist. Their attraction was immediate, and by 1935, both had left their respective spouses to be with each other.
Over the next five years, the couple traveled extensively together, documenting the rural hardship they encountered for the Farm Security Administration, established by the U.S. Agriculture Department. Taylor wrote reports, and Lange photographed the people they met. This body of work included Lange’s most well-known portrait, “Migrant Mother,” an iconic image from this period that gently and beautifully captured the hardship and pain of what so many Americans were experiencing. The work now hangs in the Library of Congress.
As Taylor would later note, Lange’s access to the inner lives of these struggling Americans was the result of patience and careful consideration of the people she photographed. “Her method of work,” Taylor later said, “was often to just saunter up to the people and look around, and then when she saw something that she wanted to photograph, to quietly take her camera, look at it, and if she saw that they objected, why, she would close it up and not take a photograph, or perhaps she would wait until… they were used to her.”