They portray human relationships to nature.
Explanation:
Basically, He is absolutely known for his scene compositions and his rural landscapes are notable because it is useful in explaining the changing definition of nature during the industrial revolution and later in the century this would become the primary subject of the Impressionists. Constable solicited a great measure of certainty in many classes and in fact, he was the first artist we know of who studied meteorology so that the clouds and the mysterious conditions that he performed were reliably precise
Answer:
The answer is Jacob Lawrence
Explanation:
took the practice test and it gave me that answer.
Answer:
A. Roman art matured during the Hellenistic era in which the refinement and restraint seen in Greek art had given way to dynamic poses and strong emotions.
Answer:
Explanation:
<u>Michelangelo.</u>
Pope Julius II asked Michelangelo to switch from sculpting to painting to decorate the ceiling of the Sistine Chapel, which was quite hard for him since he was a sculptor, he accepted the offer and revealed the work on October 31, 1512. Shortly after, it was discovered that there was infectious fungus in the plaster, this led to Michelangelo firing all his assistants, he, however, proceeded to redo the job all by himself, spending countless hours on his back and overseeing the project jealously until completion.
<u>Donato Bramante</u>
Donato Bramante was hired by Pope Julius II, to reconstruct St. Peter’s Basilica, when Pope Julius II took over the office, the condition of the church building was extremely poor, so he used the opportunity to modernize the church, and he left his impression forever on the Vatican, to this day, it is regarded as One of Pope Julius II’s largest and most well-known commissions.
<u>RAFFAELLO Sanzio</u>
Raphael was hired to make the portrait of Pope Julius II, it was an oil painting of the Pope, where the pope was sitting on a chair with th tiara on his head, he was dressed in a white surplice and a purple mantle and appeared to be lost in thoughts, it was commissioned by the Pope in 1511. Today, it is hanged at the Uffizi Gallery in Florence and another version is at the National Gallery, London.
