This is false.
It is false because a scientific method is a lot more complex and has many steps which need to be fulfilled for it to be valid. Rationality and common sense are not enough for something to be scientific as sometimes something can be irrational or almost nonsensical and yet scientific.
There are kids of different ages, ethnicity’s, and genders meaning that anyone can be a target
They are all trapped inside a jar which symbolizes that they don’t have freedom and that they are being held there without a say
There is a barcode so that means that they arnt treated as people instead they are objects because they can easily be bought
Answer:
The answer is D
Explanation:
It is the only line centered around death and the main focus (being the captain) and it's just mostly obvious context clues. Don't stress out the poems, they're easy if you don't think too hard on them.
Answer:
C. A short story about living in an apartment in a high-rise building
Explanation:
most realistic answer
The theme of both poems is an endless, deep and passionate love. In ‘A red, red rose’ there is a structure, the stanzas each have four lines and the second and fourth line of each verse rhyme, giving the poem a very evident rhythm; on the other hand, ‘Sonet 43’ doesn’t have a rhyhtmic structure that evident, but there is the use of repetition of the phrase ”I love thee”. Both poems use figurative language to make comparisons: similes and metaphors (“O <em>my Luve is like a red, red rose</em>…”, “O <em>my Luve is like the melody</em>…”), ( “I love thee <em>to the depth and breadth and height My soul can reach</em>…”). In ‘A red, red rose’ the writer uses elements of nature to make the comparisons (“Till a’ the<em> seas</em> gang dry, my dear, And the <em>rocks</em> melt wi’ the <em>sun</em>…”), while in ‘Sonet 43’ the writer uses human emotions and actions to compare (“I love thee <em>freely, as men strive for right</em>. I love thee <em>purely, as they turn from praise</em>. I love thee with the <em>passion put to us</em>. In my <em>old griefs</em>, and with my <em>childhood’s faith</em>.”).
